Nikki Glaser Quotes

Impressions are still kind of hard for me and not what I love to do the most, but with characters, I think there's an element of fearlessness. You try to figure out the best reading and wording of the jokes before the show, and then you just really have to go hard.

Stand-up comedy is something that you have to strive to do, multiple times a night, every night, to be good.

Beyond any role that I ever had, really early on as a stand-up, I would see actors decide to try it and they would bomb miserably. What I realized was that stand-up, acting and writing are all their own disciplines.

I have to visualise my jokes, live my jokes, feel the audience because every audience is different. It's like having a different dancing partner every night.

When I began doing stand-up, it took me a long time to get an hour's worth of material together.

Bad improv happens with people who are inexperienced with each other and don't know the craft that well. But bad stand-up is something that could happen to someone at any level in their career.

It takes many years to be a great comedian.

The only way to stay sharp is to do live shows. There is no part-time comedy.

I continue to do standup because there's a connection with a live audience - there are skills that you do learn as a standup comedian that help you on a set.

I could never do stand-up because it's that thing of having to get up on stage. And out of every 10 jokes you tell, nine of them have to get a really good response.

Stand-up keeps you alive. It is definitely the most specialized field in comedy because you need to stay sharp and well-tuned every night.

I'm a frustrated stand-up comic. If you hand me a microphone and I get one laugh, then I'll go on for 20 minutes.

Richard Lewis has this incredible ability to look like he's just... you know it's an act that's been honed. What you have to do in standup is create spontaneity, somehow; even though you've done this act a million times, you gotta look like you're almost just thinking of it now, to make it entertainer.

I prefer being known for my stand-up because I write it. I love being an actor, and saying other people's words is great. But then, when I do stand-up, I love getting my own point of view out there.

A lot of the time, you're supposed to play to the top of your intelligence, as truthful as possible. But when you're on stage making people laugh, you're still acting. I think it helped me a bunch to go on stage two or three times a week.

I think, first of all, you need to love what you're doing, and then this helps in the comedian for its part in everything-but the moment you enjoy what you're doing, you try to express yourself, to find your way, and every time is different, of course.

I started doing comedy because that was the only stage that I could find. It was the pure idea of being on stage. That was the only thing that interested me, along with learning the craft and working, and just being in productions with people.

It's important that when you do standup, you do small places like coffee shops and also big places like colleges. It helps you find the little nuances in your set that don't work, and you can shave off the excess.

I still love to walk on stage and make people laugh, and I work very, very hard at it, and I take it seriously.

I started by doing a little funny story, and then I started going to open mics. I realized I had a lot of work to do - you have to get over the stage fright and get your stage presence up. It took me some time, but I finally feel that I'm at a point where I feel comfortable on stage and giving my point of view.

I got to a point where I wanted to have some dignity in what I'm saying onstage. I want people to hear what I'm saying, regardless of whether or not it gets a laugh. That became a lot more rewarding than straight acting could ever be for me.

Don't edit yourself too much. Don't be afraid of looking stupid, 'cool' is so rarely funny I think. And just do it! Do as many gigs as you possibly can, and watch as many gigs as you possibly can. You'll get the rhythm of it in your head and make lovely friends.

I always try to improve my stand-up game, it's very important for me.

It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.

Open mics are a great way to rework your material to see what punchlines land best.