Alan Watts Quotes

The real issue is not whether two and two make four or whether two and two make five, but whether life advances by men who love words or by men who love living.

Pain is truth; all else is subject to doubt.

Absurd, irreducible; nothing — not even a profound and secret delirium of nature — could explain it. Obviously I did not know everything, I had not seen the seeds sprout, or the tree grow. But faced with this great wrinkled paw, neither ignorance nor knowledge was important: the world of explanations and reasons is not the world of existence. A circle is not absurd, it is clearly explained by the rotation of a straight segment around one of its extremities. But neither does a circle exist. This root, on the other hand, existed in such a way that I could not explain it.

"Well, it's no use your talking about waking him," said Tweedledum, "when you're only one of the things in his dream. You know very well you're not real."

Life, what is it but a dream?

We know nothing in reality; for truth lies in an abyss.

Billy squinted at me. "Why are you letting them go?" "Because they're real." "How do you know?" "The one I was holding crapped on my hand.

And therefore I looked down into the great pity of a person’s life on this earth. I don’t mean that we all end up dead, that’s not the great pity. I mean that he couldn’t tell me what he was dreaming, and I couldn’t tell him what was real.

Life knows us not and we do not know life—-we don’t know even our own thoughts. Half the words we use have no meaning whatever and of the other half each man understands each word after the fashion of his own folly and conceit. Faith is a myth and beliefs shift like mists on the shore; thoughts vanish; words, once pronounced, die; and the memory of yesterday is as shadowy as the hope of tomorrow

Between certainty and the real, an ancient enmity.

I know this: if life is illusion, then I am no less an illusion, and being thus, the illusion is real to me. I live, I burn with life, I love, I slay, and am content.

This had been real: real in its flaws and uncertainties, real in its small triumphs, real in its compromises and understanding.

And why do we reduce the beauty of relating to relationship? Why are we in such a hurry? - because to relate is insecure, and relationship is a security, relationship has a certainty. Relating is just a meeting of two strangers, maybe just an overnight stay and in the morning we say good-bye. Who knows what is going to happen tomorrow? And we are so afraid that we want to make it certain, we want to make it predictable. We would like tomorrow to be according to our ideas; we don't allow it freedom to have its own say. So we immediately reduce every verb to a noun.

What can a meaning outside my condition mean to me? I can understand only in human terms. What I touch, what resists me - that I understand. And these two certainties - my appetite for the absolute and for unity and the impossibility of reducing this world to a rational and reasonable principle - I also know that I cannot reconcile them. What other truth can I admit without lying, without bringing in a hope I lack and which means nothing within the limits of my conditions?

I can't tell if she's actually real, or if she's stopped caring if she's real or not. Or is not caring what makes a person real?

This world may be only illusion -- but it's the only illusion we've got.

I, a stranger and afraid, in a world I never made.

Everything of this life as a mortal is fiction. It seems real, but...

Samuel Beckett once said, "Every word is like an unnecessary stain on silence and nothingness." ...On the other hand, he SAID it.

Men who no longer can make sure of the reality which they feel and experience through talking about it and sharing it with their fellow-men, live in the same nightmare of loneliness and uncertainty which, in a normal world, is the terrible fate of insanity.

Life is not bad, and it doesn't look more real if it's ugly or it's gritty. Think of your own life. Most of what's in your own life, hopefully, is exactly that. Friendship and love and passion for movies and cartoons and comic books, whatever it is that you love. Most of the way we live our lives involves looking for pleasure and beauty and happiness and affection. Real artists don't use reflexive clichés about things. It's about honoring the reality of people's lives, which defies conventions and clichés and expectations. People are interesting, period.

Reality is a state of mind. To the banker, the money in his ledger book is all very real, though he doesn't actually see it or touch it. But to the Brahma, it simply doesn't exist the way the air and the earth, pain and loss do. To him, the banker's reality is folly. To the banker, the Brahma's ideas are as inconsequential as dust.

Every single day I wake up in the morning, and I wonder if this is some kind of amazing dream that's gonna end all of a sudden. And, you know, I'm gonna wake up and be somewhere else.

We're making it up. The world, the universe, life, reality. Especially reality.

This superficial blurring has something to do with the incapacity I have just mentioned. I can make no statement about reality clearer than my own relationship to reality; and this has a great deal to do with imprecision, uncertainty, transience, incompleteness, or whatever. But this doesn't explain the pictures. At best it explains what led to their being painted.