Clark Gregg Quotes

They call it The New Avengers but it's really the old Avengers with new people except for me, looking rather fat and rather old.

The Avengers films, ideally, in the grand plan are always big, giant linchpins. It’s like as it was in publishing, when each of the characters would go on their own adventures and then occasionally team up for a big, 12-issue mega-event. Then they would go back into their own comics, and be changed from whatever that event was. I envision the same thing occurring after this movie, because the Avengers roster is altered by the finale of this film.

We want to be able to let the audience get to know these folks. One of the things about The Avengers, over the last 50 years, is the fun of changing up the gang and bringing in new characters.

What drew me to Batman in the first place was Bruce Wayne's story, and that he's a real character whose story begins in childhood. He's not a fully formed character like James Bond, so what we're doing is following the journey of this guy from a child who goes through this horrible experience of becoming this extraordinary character. That, for me, became a three-part story. And obviously the third part becomes the ending of the guy's story.

Give the other person a fine reputation to live up to.

O sin, how you paint your face! how you flatter us poor mortals on to death! You never appear to the sinner in your true character; you make fair promises, but you never fulfil one; your tongue is smoother than oil, but the poison of asps is under your lip!

If you want to give me Robert Downey Jr in a metal suit and have him join the X-Men, then yes, let’s go head-to-head [with Marvel Studios].

Is yours an honest lament? ... Most are not, you know. Most self-imposed burdens are founded on misperceptions. We - at least we of sincere character - always judge ourselves by stricter standards than we expect others to abide by. It is a curse, I suppose, or a blessing, depending on how one views it... Take it as a blessing, my friend, an inner calling that forces you to strive to unattainable heights.

Stick with me, kids. It's about to get so good... -A

Typically with HBO shows, the ninth episode often winds up being a big one and when lots of exciting stuff happens. And then the tenth one is the more placid, character-based one.

We just don't want to repeat anything that we've done in the movies [X-man] or that we're going to do in the movies. There's so many stories to tell, we just want to stay out of each other's way.

Never forgetting from where I came and no matter where I'm headed I promise to stay the same

Personally, I hold that a man, who deliberately and intelligently takes a pledge and then breaks it, forfeits his manhood.

Real faith never disappoints because it is in God, grounded on His character, promises, covenant and oath.

Keep expectation alive. Keep stirring it up. Let much promise more, and great deeds herald greater.

It's important to know the kind of character that you need to be building up to, throughout the series.

I don't work with an outline, except a vague one in my head, a general idea of character, place, arc... I'm like a composer with a symphony in their head: I can hear the music, I just have to figure out how to put it down on paper. But I don't always know where my stories are going when I begin.

Make a promise: now that you have discovered a force that you were not even aware of, tell yourself that from now on you will use this force for the rest of your days. Preferably, also promise to discover another mountain, and set off on another adventure.

Introduce your main characters and themes in the first third of your novel. If you are writing a plot-driven genre novel make sure all your major themes/plot elements are introduced in the first third, which you can call the introduction. Develop your themes and characters in your second third, the development. Resolve your themes, mysteries and so on in the final third, the resolution.

If you have superheroes or characters that exist in the same world, and you're doing movies of them, wouldn't it be fun to put a couple of them together in one movie? Audiences love that. It's a natural thing to do that.

I am a huge fan of what Marvel has established. But when they first came to me, Thor and Captain America were not even close to being finished. I thought to myself, 'Okay, you have all these moving parts, but how can you possibly bring them together?' Iron Man, Hulk, Thor and Captain America don't seem like they could co-exist, and ultimately that is what intrigued me and made me think, 'This can be done and this should be done.' You can't put these characters in a movie together without a certain amount of humor. It's an inoculation against the unreality.

A vow imparts stability, ballast and firmness to one's character.

I was brought up on the romance of American achievement. No matter where you start, if you work hard and if you think positively and if you dream dreams and if you have good character, you can lift the status of yourself, your family, your friends and everyone around you. This doesn't mean that your object in life is to become rich or famous. Just do the best you can with yourself. I think that Almighty God has put that into us and I'm going to do the best I can with myself. That's what I call the romance of achievement. Achievement means to be what, by the grace of God, you can be.

If a character is going to end up one way, you start them a certain way. If they're gonna end up the polar opposite of that, you might start them differently to have dramatic integrity to their journey.