Johnny Depp Quotes

The world is wrong. You can't put the past behind you. It's buried in you; it's turned your flesh into its own cupboard. Not everything remembered is useful but it all comes from the world to be stored in you. Who did what to whom on which day? Who said that? She said what? What did he just do? Did she really say that? He said what? What did she do? Did I hear what I think I heard? Did that just come out of my mouth, his mouth, your mouth? Do you remember when you sighed?

Nothing in my life ever seemed to fade away or take its rightful place among the pantheon of experiences that constituted my eighteen years. It was all still with me, the storage space in my brain crammed with vivid memories, packed and piled like photographs and old dresses in my grandmother’s bureau. I wasn’t just the madwoman in the attic — I was the attic itself. The past was all over me, all under me, all inside me.

Your head's like mine, like all our heads; big enough to contain every god and devil there ever was. Big enough to hold the weight of oceans and the turning stars. Whole universes fit in there! But what do we choose to keep in this miraculous cabinet? Little broken things, sad trinkets that we play with over and over. The world turns our key and we play the same little tune again and again and we think that tune's all we are.

When you do a normal film, you play the character for three months and you say goodbye to him. And then, when you watch the movie, you say, "I wish I could have done that differently. I wish I could have added this to it."

One of the scariest things to me was, I really feel like I'm a pretty even-keeled person with a good outlook and respect level, but in that environment, deep within the character, you see how easy it is to go to that place because you're one-upping each other and it's this heavy environment filled with young men trying to make an impression. It's dangerous. It's something that I became very conscious of afterwards.

Nothing in his life became him like leaving it.

Your past is not your past if it's still impacting your present.

Blame enables us to smuggle our issues into our future.

What is the subject matter of this apparently very personal world? It has been suggested that these shapes and images are underworld characters, the inhabitants of the vast common realm of memories that have gone down below the level of conscious control. It may be they are. The degree of emotional involvement and the amount of free association with the material being photographed would point in that direction.

You know, those kinds of things in your life...movies you try to work out your issues, then you realize those kinds of traumatic issues just stay with you forever and they just keep reoccurring, and no matter how hard I try to get them out of my head, they just sort of stay there.

I liked the push and pull of that, between the outer political world and the inner personal lives of the characters. It's also real life... Many of us are keenly aware of world events, but break your nose and I bet that's the main thing you'd be focused on.

Meditation means you start changing your inner world. You start removing dust from the inner world, you start removing all that is unnecessary in the inner world. You remove all that clutter, all the rubbish you are full of. Meditation means emptying yourself of all that the society has put inside you so that you can have a clean, clear vision, so that you can have a mirror-like quality.

I think the relationship between mother and daughter is so interesting, even in a semi-normal family. Emily Thorne/Amanda Clarke's family relationship is going to be so interesting to explore. It is going to give me so many places to go. Obviously, it has been said that she is not the most stable of characters. What is interesting about that, when you think about mental health, is that young women will often come into those problems and difficulties in their 20's, so it is very possible that this will start to affect her psyche.

A novel is like a dream in which everyone is you. They’re all parts of yourself.

It's important to me that the reader goes on a ride with the characters, that you set context enough to know, "Okay, here's where we are in the world. Now we're just going to go inside this person's head, this guy's heart, this woman's ambitions and take it down to very, very small scale."

The engine room really is a metaphor for my head, and all the things bangin' around, and I think I share that with a lot of people. A lot of memories, and a lot of hopes, and a lot of just dealing with the day-to-day. Sometimes it gets all abstract.

When you dream, all the scenery, characters, events, perils, and outcomes are built from your own consciousness, the darks and oppressions as well as the delights. Same with the world awake, though it takes you longer to build it.

It was hard saying goodbye to the character and harder saying goodbye to the actor. When rumours started going around that Rob Lowe might be leaving I got an email from Josh Malina asking if I'd be interested in an actor who was cheaper and not as good looking. I wrote back, "Always", and that was that.

Complications take many forms, including an imbalanced lifestyle, toxic relationships, hidden emotional debts, resistance, indecision, addictions, and negative conditioned beliefs. When our life is overly complicated, we're weighed down by superfluous things at every level.

The greatest need of our time is to clean out the enormous mass of mental and emotional rubbish that clutters our minds

I'm never lonely when I'm writing, because you live with the characters that are so alive in your mind. And you really see them and know them and get to be friends with them.

Writers really do that. We weep over our characters. We are saddened sometimes for days when we say goodbye to a world or a character. They do become our best friends. I've probably spent more time with them over the past 22, 24 years than I have spent with most of the real members of my family.

In my opinion, too much attention to weather makes for instability of character.

If you don't make peace with your past it will keep showing up in your present.

I don't get the stuff that I carry around in my head from TV, and especially I don't get the stuff that I carry around in my heart from TV.