Kelsey Grammer Quotes

I had a great start in television; the first thing I did was an episode of 'Performance' called 'The Entertainer' with Michael Gambon playing Archie Rice.

I'd never done television prior to 'Boardwalk.'

My first ever-ever professional role was in a television show in England called 'Love Soup.' It starred Tamsin Greig. I just played a small role - I think officially my role was 'teenage boy' - it was one episode.

I did a commercial when I was, like, 5 or 6 years old for... what was it called?... Cabbage Patch Kids! That was the first thing I ever did. Little bit embarrassing.

I can't really recall the first time I was noticed by a producer but the first time I was on television was doing Daytime for Another World, which I started in December '75 and went until December '76.

I was on Days Of Our Lives for about three months.

The first film where I had a speaking role was 'The Low Life,' but I did appear for about three seconds in 'Straight Talk' with Dolly Parton and James Woods. I had a line, and it was cut. It was alright: I got my AEU card anyway.

I like Daniel Craig. I worked with him on 'Sharpe,' one of the very early ones, maybe the second one we did - 'Sharpe's Revenge?' A long, long time ago, and he was good in that then.

I am very excited for my special appearance in 'Kalank,' since it's a huge film and it's the first time I am doing something in the period space.

While I was doing the first season of 'Girl In The City,' a lot of people remembered me through my character name. None of them knew my real name, and my onscreen name, Meera, became my identity.

I remember the first couple of TV things I did, I was really nervous.

I think the English public loves period drama. I love watching them myself. It's such a massive part of our TV tastes, even though, as an actor, you don't want to be doing the same thing again and again.

You have no idea what's going to happen [in Downton Abbey] until you get the script. We roughly knew a couple of the key points that were going to happen, but when I got the last episode, I turned to the last page to check that I was still alive.

I love costume dramas, I love performing in them, because in a funny kind of way, you feel more free. You know about the period, you can read the books, you can see the paintings, but you've never actually going to know what it was like. You can kind of stretch those boundaries a bit.

We were all expecting to finish [Downton Abbey] after Series 1, actually. And then, it got extended to Series 3, and that's when two of our much loved and much missed friends left. And then, it was going to be done with Series 5, but Julian Fellowes said, "I'd like to do one more." So it's been a series of extensions, rather than wondering how much longer we can go on for.

I'm a very old-fashioned novelist. I write 19th-century novels, where a lot of rules apply.

I was part of Quintuplets, I played a cat - this is my first drama.

I've always dreamed of doing a period piece, I just never knew what it would be.

And, in fact, this is the tale that I would love to write: history is such a romantic place, with its jarveys and urchins and side-buttoned boots. If it would just stay still, I think, and settle down. If it would just stop sliding around in my head.

Denzel [Washington] just knows the actor. He knows the process, and you don't often get that.

Anyone suffering Downton Abbey withdrawal symptoms will find an instant tonic.

I was doing a Broadway play, and I was really new to this business. The Broadway play was my first job, literally. The play next door was a musical called Falsettos. The director got hired to direct this Michael J. Fox movie and was looking for a kid who could play brash and salty and mean [in Life With Mikey].

Just being the first person to bring the character to life is really fun and exciting.

There's more to come. Series 4 [of Peaky Blinders] is coming soon. But I'm proud of making my hometown, which is considered to be completely unfashionable, slightly fashionable. People actually know where it is now.

The English tourist in American literature wants above all things something different from what he has at home. For this reason the one American writer whom the English whole-heartedly admire is Walt Whitman. There, you will hear them say, is the real American undisguised. In the whole of English literature there is no figure which resembles his - among all our poetry none in the least comparable to Leaves of Grass