Vin Diesel Quotes

The characters I write about are very internal.

I have not thought too much about the psychology or life of the character Jonas in some time.

Loki in 'Thor' is the most incredible springboard into a sort of excavation of the darker aspects of human nature. So that was thrilling, coming back knowing that I'd built the boat and now I could set sail into choppier waters.

The only boring part of it is finding the fact that got you from point A to point B. Most actors, if they're being honest, are not going to say that that's the most stimulating acting work they've ever done. But the dynamics of staring into the face of evil and it looking back at you, and seeing yourself in that or not, is interesting.

I love characters that are going through turmoil. To be honest, I love characters with conflict. I love characters who are really going through an emotional journey; whether it's a super-dark-crazy journey or a really relatable guy.

It's not that I'm necessarily looking for things that are so dark and emotional. But if I see something where the character goes through enormous change, it's very appealing to play all those levels, and that is probably going to involve some dark moments.

It's always appealing to play a character that has to overcome himself as well as an obstacle. It makes the drama so much deeper.

People sometimes seem surprised because often, you know, you know, there's a lot of tortured characters in the stuff I write.

'The Oath' seems like the perfect project for me, coming off the back of a big-scale adventure film like 'Everest.' I want to delve into an intimate, dark and psychological world where the characters are claustrophobic.

I like being able to play women that are growing or aren't easy to love. Maybe they are really likable, but they're annoying because they're not tapping into who they're suppose to be. You're watching them, and you're like, 'Oh, why does she keep making this decision?'

A lot of my music is kind of contemplative, and somehow that always tends to tilt on the darker side. My inner conversation is apparently quite dark.

'Pumped Up Kicks' is written from the perspective like Truman Capote wrote 'In Cold Blood' or Dostoevsky wrote 'Crime & Punishment.' It's psychologically breaking down someone's state of mind and diving in and walking in their shoes.

...he said, with sort of a little derisive smile, "How can you walk down the street with all this stuff going on inside you?" I said, "I don't know how you can walk down the street with nothing going on inside you.

I had lost my mind and fallen into my heart.

I don't like things to be handed to me on a plate; that means nothing. I like to go through layers of unraveling and every time I listen to something, it makes me feel something different. Now I'm aware of the conflict that's going on, but at the time I just let what was happening happen.

For me the most interesting characters are outwardly static, but inwardly charged by an overriding passion.

Examine from time to time what are the dominant passions of your soul, and having ascertained this, mold your life, so that in thought, word, and deed you may as far as possible counteract them.

I have the choice of being constantly active and happy or introspectively passive and sad. Or I can go mad by ricocheting in between.

I suppose I tend to like slightly darker things - people have levelled that on me before and I accept that because in my opinion, if I mention the best movies or the best books, there's always something that's involving slightly darker element of out psyche. I like seeing people under pressure. I like seeing what happens to people when they're under pressure.

I balance things better and don't kill myself so much, but conflict makes me a more interesting actress to watch. The places I go to pull emotions from, I think if you have a perfect, happy life, you just don't have those places. And I want those places. I'm proud of those places.

The villains are all parts of me. For years I've been wondering what it would be like if all those negative elements were forced onto the main character's side. I can understand a character with that kind of anger.

I just don't like to be in my own - I'm already myself, so I don't like to be in my own - like, watch myself.

What can I expect from myself? My sensation in all their horrible acuity, and a profound awareness of feeling. A sharp mind that only destroys me, and an unusual capacity for dreaming to keep me entertained. A dead will and a reflection that cradles it, like a living child. From, The Book of Disquiet

Under fun's new administration, writing fiction becomes a way to go deep inside yourself and illuminate precisely the stuff you don't want to see or let anyone else see, and this stuff usually turns out (paradoxically) to be precisely the stuff all writers and readers share and respond to, feel.

It is myself I have never met whose face is pasted on the underside of my mind