Walter Brueggemann Quotes

People are too prone to think that the actual is the limit of possibility. They believe that all that has been done is all that can be done.

Only those who have never known fear are allowed to think less of others for being afraid. Frankly, I think anyone who has never been afraid of anything in their entire life is either a liar or lacks imagination.

Is it not easy to conceive the World in your Mind? To think the Heavens fair? The Sun Glorious? The Earth fruitful? The Air Pleasant? The Sea Profitable? And the Giver bountiful? Yet these are the things which it is difficult to retain. For could we always be sensible of their use and value, we should be always delighted with their wealth and glory.

I think a Person who is thus terrified with the Imagination of Ghosts and Spectres much more reasonable, than one who contrary to the Reports of all Historians sacred and profane, ancient and modern, and to the Traditions of all Nations, thinks the Appearance of Spirits fabulous and groundless.

We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang.

Sometimes when I sleep at night I think of (Dr. Seuss's) 'Hop on Pop.'

The mind is a strange machine which can combine the materials offered to it in the most astonishing ways.

I am interested in Scripture and theology. This is an interest that I can assume I would share with a pastor, so that makes me a little bit prone to use that kind of character, perhaps, just at the moment. Then there is also the fact that, having been a church member for many years, I am very aware of how much pastors enrich people's experience, people for whom they are significant. I know that it's a kind of custom of American literature and culture to slang them. I don't think there is any reason why that needs to be persisted in.

You may think I’m small, but I have a universe inside my mind.

I think we need to make documentaries about fantasy and storytelling. I think I just started to scratch the surface of a method that allows us to do that. We want to be sucked into the events, suspend our disbelief and imagine that this is a fiction, but actually putting onscreen the gap between who the people are and who they want to be and therefore opening the question about why they want to be this person.

I have always been intensely uncomfortable with the idea of a science fiction writer as prophet. Not that there haven't been science fiction writers who think of themselves as having some sort of prophetic role, but when I think of that, I always think of H.G. Wells - he would think of what was going to happen, and he would imagine how it would happen, and then he would create a fiction to illustrate the idea that he'd had. And no part of my process has ever resembled that at all.

Creativity, as I see it, is the process of putting your imagination to work. It's been defined rather simply as applied imagination. That's not a bad way to think about it.

The joy in what I do is mostly creativity. I think creativity is an ecstatic impulse that we all have. And there's nothing more joyful than having a moment of creative insight and actually creating, or rather manifesting or incarnating your creative insight into actual, physical reality.

I think that it's sexier not to show everything. I feel that people's imaginations can do way more.

And as well as I dream, I reason if I want, for that's just another kind of dream.

I think everyone is born creative but it can be suppressed by fear.

I've no idea where ideas come from and I hope I never find out; it would spoil the excitement for me if it turned out I just have a funny little wrinkle on the surface of my brain which makes me think about invisible train platforms.

As a fiction writer you train yourself to think about situations subjectively. I don't really care for narratives that are just A, B, C, D, and then E. I like the aura that fiction has, how it can conjure up dream imagery. It's a sort of emotional speculation that you can shape and work with.

I think of fear as a survival function, and in the stories that I write, the only thing that I've tried to do is provide people with nightmares which are really safe places to put those fears for a while because you can say afterwards that uh, that, that well it was all just make-believe anyway, so I just took my emotions for a walk.

I've done an incredible amount of painters. It's an area, for me, where there's more mystery left. I've photographed so many musicians, I've been in studios so often, I know the whole process. The mystery's gone from it. I think it's important to keep mystery into our lives. There's a longing connected with it.

I think one of the things about creativity is not to be afraid of saying the wrong thing.

Our imagination so magnifies this present existence, by the power of continual reflection on it, and so attenuates eternity, by not thinking of it at all, that we reduce an eternity to nothingness, and expand a mere nothing to an eternity; and this habit is so inveterately rooted in us that all the force of reason cannot induce us to lay it aside.

Acting is a child's game. It's your willingness to suspend one reality and substitute it for another. That reality lives and breathes in your imagination. The actors that I want to be like exercise that way of thinking, and that's kind of what I do.

But dinner is dinner, a meal at which not so much to eat - it becomes difficult to eat much at it as you grow older - as to drink, to talk, to flirt, to discuss, to rejoice "at the closing of the day". I do not think anything serious should be done after it, as nothing should before breakfast.