Alvin Toffler Quotes

Boygenius' was the first time I produced without a producer-producer in the room. It's been crazy.

I didn't come in as a writer that found producers, I came in under producers. So I've always respected the actual production process and producers in general.

As a producer, you've got to be involved in helping out with solving problems.

The Internet is changing what entertainment and sports is. It's not just a few people authoring an experience for others. It's really growing out of what everybody does.

In TV we've used something that I love... it's called process. I love process.

A lot of TV is put together by teams, by writing staffs and several different directors. It's a great, very smart way to make television. It's worked for however long TV's been around.

Since I met Starsmith, my producer, I really feel like I'm making music because we write it together and produce it together. I've got a proper involvement in the end product as opposed to just writing a song and finding someone else to produce it.

Doing a TV show, you're on an assembly line and it's as cut and dry as that. There are some shows that are exceptions. There are producers that want really special things.

Ultimately, I am very filmmaker oriented, as a producer.

It's hard, the green screen; it's a different way of working.

Frequently producers have partners that they never let the public know about.

As a producer, you're pretty much creating a body of work that an artist has to stand behind.

TV writing is tricky to navigate because you have so many different personalities - the actors, multiple producers.

In general, I don't feel artists should need producers.

Somebody captures an incredible video, shares it online, and inspires millions of other people to go and do the same with their GoPros, and then it happens again and again - and what you've got is this incredible snowball of stoked customers capturing and creating rad content with their GoPros.

I think the key that makes Airbnb is the fact that we're a community, not just a series of commodities.

As an actor, I was often shielded from the big-picture decisions. But as a producer, I experience all the conversations where there's pushback or a difference of opinion.

I'm a very hands-on producer.

The producer should decide what kind of music is being made, what it's going to sound like - all of it: the why, when, and how.

Most of the greatest albums in the history of music are one producer. It's just a fact. Or one collective.

It's always interesting when you're doing things yourself - getting the lighting, getting everybody together. It's exciting.

The sharing economy is about making use of any idle resource out there. We do love seeing other sharing-economy companies flourish.

We've learned that when a consumer moves from a relationship rooted in 'me' to one powered by 'we,' a new world of buying and advocacy opens up for a brand.

There's the good and the bad aspects to Social Media. What I do find great is how much social media has changed businesses and the way they structure their marketing.

I don't think people realize that I produce like 90 percent of all my music, except for the songs that I co-produce with people.