Jules Feiffer Quotes

Any city may have one period of magnificence, like Boston or New Orleans or San Francisco, but it takes a real one to keep renewing itself until the past is perennially forgotten.

Every city is always changing, on its own trajectory.

I'm trying to change the culture in New York City; that's hard enough!

Neighborhoods change. In some ways, it's part of the beauty of New York City. It's in a constant state of flux.

New York is a much more bourgeois city, more of a tourist attraction than a muscular metropolis. It's lost moxie and a rough energy, while gaining grace and friendliness. I love both versions of the city, but I wish the prosperous Manhattan would become a little easier for young people to afford.

Fiorello LaGuardia saved City Center. The real man saved it, and he made this building into a performing arts venue.

You don't have to be born in New York City to be a New Yorker. You have to live here for six months. And if at the end of the six months you walk faster, you talk faster, you think faster, you're a New Yorker.

New York has definitely turned into more of, like, a hipster place.

I find L.A. very interesting, partly because I think something new is forming there, but not in a moment of good fellowship as you might think from all this "diversity" claptrap. It's not as if we'll all go down to the Civic Center in our ethnic costumes and dance around.

Mexico City is very different now than when I grew up, but I was in the streets all the time - though I was born to a middle-class neighborhood where there weren't a lot of gangs and things. I was always comfortable.

LA is such a crumbling mess of a city. Basically in all my years of travelling, I haven't found another city in the western world that interest me as much as Los Angeles - which might sound like heresy, but most cities, history has already happened and the people living there are sort of living on the bones of the thousand years of history that's already happened there. Whereas LA is always reinventing itself.

The design of a city is like a strange archeology.

In 1964, when we first arrived in New York City, I remember vividly seeing the skyline of Manhattan, and our first proposal of 1964 was to wrap two lower Manhattan buildings. We never got permission.

Besides infrastructure, there is a huge opportunity in housing and urbanisation of cities - not only building new ones, but also renewing the infrastructure of old cities to make them more livable. This provides tremendous scope for large investments to fuel growth.

I love how New York as an idea is less a paradigm of manifest destiny and more a romance for the social orphans of the world. We live here to be among the towers and the crowds.

I can remember when anything further downtown New York than Canal Street was risky and the whole area still looked like a '70s cop movie location; when the original loft-owners were more dash-than-cash, artistic types.

I think New York has evolved in my work just the way the city has.

I fell in love with New York. It was like every human being, like any relationship. When I was a young New Yorker, it was one city. When I was a grown man, it was another city. I worked with many dance organizations and many wonderful people.

I left Delhi in 1989 and remember very little of how life used to be then. Increasingly, in my recent visits to Delhi, I've started to realize that the city has become intellectually very lively. It makes me want to discover the city over and over again.

But I can tell you that the New York that I see now is not the New York that we grew up in. It's not 1973.

For 11 years, I was mayor of Tirana, our capital. We faced many challenges. Art was part of the answer, and my name, in the very beginning, was linked with two things: demolition of illegal constructions in order to get public space back, and use of colors in order to revive the hope that had been lost in my city.

It would be nice if areas could be revitalised - like places in the U.S. such as Pittsburgh, for example, which have been transformed through shale. There you have shiny cars in a shiny city because of the development of shale in an old industrial heartland.

I used to walk in the Bowery in the early 1980s, and it was not safe. It went from this to Disneyland under Giuliani and Bloomberg. This is now one of the best-run big cities in the world.

I definitely think New York is a very, very vibrant, wonderful city, but I certainly, of course, can't help but miss a lot of the stuff that's no longer there.

The City gets more and more beautiful every time I come home.