Jonathan Jackson Quotes

Oh, I'll tell you about 'Anyone Can Whistle' - the lesson I learned with doing that record is that the simplest songs are the hardest to do.

Yeah, once the song is written, it just complexifies the profile of it to have the music and the words at odds. It comes naturally to me. A lot of my music is like that.

I like challenging myself. I like the challenge of rapping to fast beats, rapping to beats that are super slow, whatever. I like the challenges, so I'm not afraid to take on any piece of music and create a song to it if it feels right to me.

Albums, with me, have never had an easy birth. Especially when all the songs are self-written songs.

Often the simplest song is the hardest to write.

There's always a tension between wanting to write a really concise, instant gratification type song that gets under your skin the first time you hear it, and wanting to really stretch out. I think it's a healthy tension.

I'm a good collaborative writer. I can usually come in and add a couple lines to something, and add a riff or a B-section, or a bridge that will tie things together. I can do stuff like that. But to write a whole song, I don't have the patience for that, I guess.

If I write songs and I think they sound good, then that's it. That's what I do. I'm not a technical musician, which is fine for rock and roll.

There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art.

I don't like the word "happy." I wouldn't want to use it that context. I enjoy writing songs, it's a really good challenge, it tickles me. It's a wonderful way to engage with your surroundings, through poetry and songs.

Every song has a different genesis, or feeling. Usually the lyrics, I don't really know what it's all about, I just kinda do it. I mean, there's a combination of, like you're saying, that kind of lyrics about commitment or vaguely relationship lyrics mixed with jokey 90s Beck-style non-sequiturs and stuff.

Songs are kind of alive, I think; once you finish writing them, that doesn't mean that that's it for the song. It can have its own little life, I think.

All you gotta do is think of the song in your head. And it doesn't matter whether you can play it or not, you can get somebody to play it. With songs I've written, there's a song called "The Statue", which I can't play. There are songs that I've written that I've actually just hummed on - there's a song on one of the albums they have there on the Internet called "My Love Was True" and it's almost operatic. I can't play it. But I can sing it.

I was writing "Diamonds and Rust' and it had nothing to do with what it turned out to be. I don't remember what it is, but I think I was writing a song. It was literally interrupted by a phone call, and it just took another curve and it came out to be what it was.

The world of the arts is by no means always comfortable, but neither is it likely ever to be boring. It is full of surprises, humor, traps for the unwary, and challenges to smugness. It is a world of moods as well as of revelation, of beliefs and fears, of unpleasant truth as well as of delicious fantasy. Perhaps it is arrogant to say that anyone who does not venture into this world is only half-interested in life. I say it, nonetheless.

The thing about being a songwriter, once you realize you are one, is that to provide ammo, you start to become an observer. ... You're constantly on the alert. That faculty gets trained in you over the years: observing people, how they react to one another, which in a way makes you weirdly distant. ... It's a little of Peeping Tom, being a song-writer.

There's a lot of craft in songwriting. The divine inspiration is when the idea comes. It may be a riff. It may be a word. It may be a phrase. It may be a title. Sometimes, in the best of both worlds, that divine inspiration extends through the whole song. I've literally sat down and written a song from beginning to end, almost complete lyrics and everything without ever stopping...in two minutes. The chorus of 'She's Gone' was like that.

"On Script" is one of my favorite songs I've ever written. I'd just been jamming on it one day, and again I was struggling with lyrics. I'm still figuring out what it's about. I've seen a couple of reviews that are like, "It's about the monotony of playing the same songs every night," because I say, "On script every night/Like a well-rehearsed stage show." It's not about that at all, but I find that funny, how people project what they think about me, or songwriters in general.

I think that anyone really can write songs, it just takes having an idea and a feeling and chasing it, and you can learn more about it. I think that's why I go to so many sessions. It is a craft that you can learn from other people. I find it to be the most fascinating thing. So I write a lot, yeah!

I'm creating songs. I do it most of the time, in the car or in the house.

Some things lend themselves well to songs, some things don't, and I'm learning that a lot at the moment. It's still a relatively new way of writing. It's only really the last five to 10 years that I've taken my writing seriously in this way, as something I can keep working toward. I think I feel myself much more before as simply a songwriter.

I am not an evangelist. I am not a preacher. I am a musician. That is what I know how to do. I know how to write songs. I know how to write things that relate to my heart. I feel that I talk about God in every song, in everything I do - all of it! I really do not know how to respond. I do not relate to that.

That's another way of writing a song, of course. Just talking to somebody that ain't there. That's the best way. That's the truest way. Then it just becomes a question of how heroic your speech is. To me, it's something to strive after.

I guess it would be if I wanted to, just lay back and predominantly write songs when I can't go on a stage anymore.

I get to a point when I've collected together enough words that seem like they want to be songs rather than poems, or sometimes not.