Charlotte Church Quotes

Working with Candy Bergen was really wonderful.

In fact, 95% of the people in my films have been nothing less than a pleasure to work with.

I had such a nice time making it, and I can't wait to make the fifth one. The whole crew were just really, really lovely. All the costume people, the make-up girls, the kids - even my driver.

Everybody I've ever worked with - 99.9 percent of the time, I've had a successful or very agreeable experience with.

To be able to make a good living in a challenging medium like soap operas is great. The best is that I get to act and am rewarded for it. And the people I work with are great. Funny, intelligent, hard working. They're all great to be around.

I'm glad you asked that question, because of any musical situation I've been in, the communication feels great here with Russell. He really pays close attention to what I'm doing because he cares.

The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.

I'd worked with Mel Harris before, I love working with her, she's great.

I had such a good time working with John Woo and John Travolta, and it was so professional. I want to work with people who are real professionals.

On a personal level, we all get along fine.

I love actors and I feel like, if you usually allow people some say, most people, if they start to feel comfortable, they're going to have a voice. If they feel heard, then they will give back 10 times as much to you.

I now, more and more, appreciate when I'm in a group of good people and get to work in good movies and projects. I'm wildly grateful and appreciative.

Any filmmaking, any film is a collaborative process. There's always a lot of people working on things together.

I have had a career in which, almost without exception, every single person I've worked with has helped me.

Shooting this one was kind of like a two month party, we would literally play music between takes, and other movies that were shooting on our lot would play hookey, come over and hang out and stuff. We had a great time.

The most noble criticism is that in which the critic is not the antagonist so much as the rival of the author.

When you work for the Coens, they are so fun and so organized. They treat everyone with such respect.

I genuinely have always had support from all of my team. I have never had any complaints from them.

I always talk to all the crew. I always make it pleasant. I always nurture a relationship that makes people feel like they're important, like they're a part of the collaboration. I feel that way about the young actors on set. I don't talk to them like I'm the mentor; I talk to them like they're my peers. And I learned that from Meryl Streep.

When Gene makes a movie, the people who work on it have such a love for him that the set is always a happy place.

So much about 'Rookie' has been very organically familial among our contributors, among our readers. Yeah, if I interview someone like Lorde, who I do know outside of work - sometimes I'm just so happy; it's so cool that this is organically, effortlessly, the warm, supportive friend vibe that we want here.

I love working with Bob Zemeckis. I think he's amazing and wonderful to work with.

I work with directors who haven't had the experience of being on sets as much as I have. I feel like, in a way, if it's an independent movie, I can teach the crew to kind of relax, or create a vibe. It really is about a vibe.

I can't think of a lot of bad directors I've worked with, really.

We had friendly and pleasant relationships with all that worked in our films - many happy memories.