Scott Foley Quotes

I got my first big paycheck for 'My Best Friend's Wedding.' This was in the days when you actually did get paid to have a supporting role. It just doesn't happen like that anymore, but this was in the '90s. It was the golden age!

I haven't seen about half the movies I've done. You know, you've got to make a living, but some I don't get a good vibe with.

If I had to choose between a great acting job and a good directing job, I'd choose the directing job.

I do love acting the two seconds that you are in front of the camera - and this is going to sound like I'm complaining, and I don't want that because I'm blessed to even have a job - but there is a lot of down-time when you're just sitting in your trailer.

When I was doing the first 'American Pie' movie, I was just happy to have a job. We had a good time, and it was a great group of people, but like any project that I've worked on in my career, you just put your best foot forward, and you're all working together to make the best movie possible.

People ask me, 'How's 'Teen Wolf?' and I tell them it's literally the best job I've ever had. It's hard. Everybody wants to be a series regular. It's something that a lot of actors would kill to have. That being said, it's very demanding of you, in so many different ways.

I didn't want people to think I'm just in the movies, where you make money and wait around for 13 hours before you get to do 20 minutes of work.

I don't want to say, 'I want to be in Hollywood,' like so many actors do, but I know that Hollywood is still making good movies, and I'd like to be part of that someday.

As soon as I got my proper first job, I never did acting again. I think the last thing I did was a Mike Figures film, and then I got a series with the BBC. I'm glad of the experience, because I think it's very, very good to understand what actors go through.

Well, I have one of the best jobs in the world.

It was a good experience working with Roger Vadim and Jane Fonda.

I'm what you call a good, old-fashioned working actor who has had delusions of grandeur for my entire career and has known what I want to do, but there's a lot going on out there. There are a lot fewer films being made, and there's a lot of competition.

To be able to make a good living in a challenging medium like soap operas is great. The best is that I get to act and am rewarded for it. And the people I work with are great. Funny, intelligent, hard working. They're all great to be around.

Someone said adversity builds character, but someone else said adversity reveals character. I'm pleasantly surprised with my resilience. I persevere, and not just blindly. I take the best, get rid of the rest, and move on, realizing that you can make a choice to take the good.

I love acting, every job is a dream job when you're an actor. I'd like to do eventually more film work and to collaborate with the best actors and directors in film.

Right now the thing that I have learned the most is to be grateful that I have finally gotten to a point where I am being paid to make films, after eight years.

A lot of the TV shows, they do long hours, and they do a lot of days, and you don't get a lot of time. But the good thing is, if you get one that's made in L.A., or made in a place you want to be, you get to go home every night.

But when you're a working actor - and that's what you keep saying in your head, how blessed you are to have a job - and you are working with heavyweights, working with the best guys in TV, it's pretty cool. Exhausting, but cool.

You get money out of acting. You get gray hair out of directing. Actually, I get more of a rush from directing.

If they're willing to pay you what you think you're worth for it, that's why an actor goes to work. A lot of times they want to pay you a lot for a picture you don't want to do.

That's where the theatre of dreams is, over in L.A.; it's the land of opportunity for actors, and to go over there with a good team behind you and have a part you want to audition for really makes it a joy.

I'm not trying to conquer Hollywood. I love my day job.

For 'Vicky Cristina Barcelona,' for example, Woody Allen is one of the greatest American directors, and we really had a very good working relationship. We understand each other really well. He gave me one of the best opportunities somebody has ever given me in my career.

Writing studio movies is the best job in the world... it's awesome.

What career? A man's got a body of film of about four movies in about 10 years or something. I do it because I think I can do a good job of something and I'll enjoy it, do it, and sort of vanish. I don't want to be an actor for hire.