Ethan Slater Quotes

When I was on the air a lot my throat and vocal chords got tired. If you don't vary your tones you can't get pretty tired of your own voice.

Singing in multiple voices, especially Oscar's, can make my vocal chords tired.

My dark sound could be heard across a room clearer than somebody with a reedy sound. It had more projection. My sound always seemed to fill a room.

You have to show the character is confused or scared or happy through your voice instead of with your face and body.

Any voice where you've got to scream over a battle or whatever, that's always difficult. It's harder than it seems.

I think the voice is an underrated instrument these days and it's easy to make up for lack of ability with effects. I think sometimes people are more wowed with effects than core craftsmanship. Strong voices are not as common as they used to be.

I really have shaken hands with where my voice is right now. I think it's got a little deeper; it's got some more grooves in it.

I lost my voice for the first time. I was so bummed out, but it happens to every singer at some point in their career. I don't think most people understand, but I sing every night and sometimes we do five shows in a row, which is really bad for your voice.

I think that people who have Vegas throat are people who sing from their throats only.

It's amazing to hear, as a voice matures and then starts to decline, what kind of emotion is still conveyed by a really good vocalist.

I had a hole in my voice. I still do. We call it a hole, but it's an area in the voice where it's air. And my classical teachers were just so frustrated with me because I would have these deep, low notes that were really strong, and the higher register was strong, but right in the middle area, it was really hard.

As a vocalist, I can scream, and I've got a really good singing voice, but I can't do the really heavy vocals.

My voice is not very dynamic.

I have got a big deep voice, and that comes in useful for villains.

Temperament can really take a toll on the voice. If you get tight in your body with the acting, then you can get tight in your voice. And then you can get tired, and you can damage yourself vocally.

When my voice isn't doing what I want it to do, it's crushing in the most heavy way possible.

The first thing I will say about looking after your voice is get a pair of in-ear monitors because one of the most common problems singers have is trying to hear themselves on stage.

From a vocal standpoint, Glenn Hughes is just a god.

The best vocalists I can think of are female.

For any actor, voice is his strength.

I work a lot with dynamics of how loud I'm talking, like speaking into balloons and then feeling the texture on my fingertips, and then I get used to the feeling on my throat.

I knew that I could sing when I was young. I would listen to a lot of jazz; I'm a big jazz fan. When I first got to high school and studied musical theater, I could sing. But I added certain things to my voice, and I realized after graduating high school that this is the kind of voice I had. It's not very nimble, but it's heavy.

It takes a big voice a long time to develop properly; the bigger it is, the harder it is to develop the technique.

I still struggle with my low notes. It's just always been something for me: I'm not a low singer. I have a really high voice.

I guess I'm not really into female vocals that sound masculine, I guess. A lot of times, the heavy female vocalists always end up sounding like they're screaming or whatever.