Sophie Hannah Quotes

It takes me a very, very long time to write a story, to write a piece of fiction, whatever you call the fiction that I write. I just go about it blindly, feeling my way towards what it has to be.

Writing is a mysterious process, and many ideas come from deep within the imagination, so it's very hard to say how characters come about. Mostly, they just happen.

It's been a while since I've written a novel aimed at the adult market, but I never sit down and say to myself, 'Okay, now I'm going to write something for us old folks.' I get gripped by an idea, and I go where the idea takes me.

I just let the character speak to me and things appear.

When you're a writer, everything that interests you feeds into your work.

I'm not one of those authors who claims to hear voices in my head or 'let the characters speak through me,' whatever that might mean.

I always have a rough outline, but I'm shocked at how little I actually follow it. Those characters keep doing things that I never expected. I think if I crept up to my keyboard and peeked, they'd be talking about things behind my back. Okay, that's a little paranoid and delusional... but just a little.

I began to ask two questions while I was reading a book that excited me: not only what was going to happen next, but how is this done? How is it that these words on the page make me feel the way I'm feeling? This is the line of inquiry that I think happens in a child's mind, without him even knowing he has aspirations as a writer.

For some reason, all my characters come to me with their names attached to them. I never have to search for the names.

My stories run up and bite me on the leg - I respond by writing down everything that goes on during the bite. When I finish, the idea lets go and runs off.

For me, inspiration isn't a sort of spark which lights the fire of the story. It's more like a thread, one of many, which you can tease out of a story once it's written, if you feel so inclined.

Blank paper has always inspired me.

Everything can be grist for the muse. Sometimes, writers draw on personal experiences. 'Ghoul' was just that.

I wrote 'Ava Wrestles the Alligator' when I was 22 or 23. These people and that world have been evolving in me for a while. It's such a shift not to be in that world.

I throw everything I have into whatever story I'm writing - and so there's something immensely gratifying about finishing one piece and then starting fresh with a new setting, time period and cast of characters, getting to see the world through a completely different lens each time.

I always say that, for me, writing a book is like a wacky Greyhound bus trip - I know where I'm starting and where I'll end up, but I have no idea what will happen along the way.

I never base characters on real people. There are people who do that but I really don't know how to do it.

The characters emerge from my rather twisted mind. That's another enjoyable part of the job making stuff up.

For me, literature is a complex game, both mental and concrete, which is acted out in a physical manner on the page.

Of course, all writers draw upon their personal experiences in describing day-to-day life and human relationships, but I tend to keep my own experiences largely separate from my stories.

I am never not thinking about stories. 'The Bone Season' is 90% of my brain - 10% is interacting with the rest of the world.

That's the way it happens - some characters you set out to use, some are happy accidents. As long as it works, it doesn't really matter how you got them.

I have every sympathy for writers. It's a mystery to me what they do. I can edit. I can cross out and say, 'I'm not saying that' or, 'How about we move this to here? Wouldn't that make that bit of the story better?' But where any of it comes from is beyond me. I will never write a play or a novel.

The thing I love about being a novelist is that with each project, you invent a new world. You approach it with a different set of aesthetic and structural ideas, and you grapple with a different series of problems in figuring out how to tell the story. And yet there are certain concerns that stay constant.

After a while, the characters I'm writing begin to feel real to me. That's when I know I'm heading in the right direction.