Amanda Seales Quotes

I celebrate my blackness. I love the artistic vibrancy of the culture I was born to.

Afro-American

Every February, we reflect on and honor the achievements, struggles, and icons that comprise Black history. As a proud, Black man running for office and raising two young, Black boys in the South, I am acutely aware that I stand on the shoulders of giants.

There is much about the shared terrain of being a black person in the United States that is not seen on small or silver screens or in museums or best-selling books, and much of what gets ignored in the mainstream thrives, and is celebrated, on Twitter.

In America, black is a country.

I'm African American / I'm African / I'm black as the moon.

I love being black in America, and especially being black in Hollywood.

I do want to be a representative of the African community, and I want to hold myself and dress myself in a way that reflects that. I want black kids to see me and think, 'Okay, he's carrying himself as a black man, and that's how a black man should carry himself.'

Growing up as a product of the black civil-rights movement, I had a lot of different models for black weirdness, whether it's Richard Pryor or James Baldwin or Jimmy Walker.

Solange's new album, 'A Seat at the Table', is so many things at once: an antidote to hate, a celebration of blackness, an expression of the right to feel it all. After a move to Louisiana and period of self-reflection, the artist joined forces with a range of collaborators to put her new discoveries to music.

The black experience for me has been very interesting. Some days, I wake up, and I feel really black. Some days, I'm like, 'This is me. I'm black. Black Lives Matter. Black pride. Look at my cocoa skin.' I just feel it's my being.

Black history is American history. You cannot tell one story without telling the other.

What's 'Atlanta' about? Technically, it's about a couple guys who are friends, but to me, 'Atlanta' is about black lives. I'm getting a real look at what black life means in Atlanta.

It really upsets me that the media insists on turning 'Do the Right Thing' or 'Boyz N the Hood' into 'black films.' They are American films. They may open the window on the black experience, but they had things to say to everybody. That's why they were so successful.

Being black has been put in such a negative light. For such a long time, being black has been criminalized, but being black is something that I should be proud of because we have so many black people who have accomplished so many amazing things in the world.

My family is Jamaican. We were just the slaves that were dropped off over there. And at the end of the day when you live and exist as a Black person in America, at least to white society, to a certain extent, no one is asking where you're from and where you were born.

The black experience isn't exclusively slavery/civil rights/Obama.

I'm the son of a Black man who was born in the segregated South.

Black excellence is a thing. People - from Beyonce Knowles to Venus and Serena Williams to folks you haven't heard of - are into it. It's less a movement than a standard: believers set the bar high not only for themselves but also for others who share their vision, especially when it pertains to black history, stories, and style.

In 2016, the conversation of the black experience is so broad, and it's very raw. I mean, c'mon, we have a black president. That's a major thing, and there are so many other significant occurrences that have come from the '60s and '70s up to now.

It was into my father's image, the black man, son of Africa, that I'd packed all the attributes I sought in myself, the attributes of Martin and Malcolm, DuBois and Mandela.

I've always known the greatness of black people.

If the American Negro is to have a culture of his own he will have to leave America to get it.

Black History Month is in the shortest month of the year, and the coldest-just in case we want to have a parade