Philip Larkin Quotes

The work of the art student is no light matter. Few have the courage and stamina to think it through. You have to make up your mind to be alone in many ways. We like sympathy and we like to be in company. It is easier than going it alone. But alone one gets acquainted with himself, grows up and on, not stopping with the crowd. It costs to do this. If you succeed somewhat you may have to pay for it as well as enjoy it all your life.

Poetry is an orphan of silence.

Every man whose business it is to think knows that he must for part of the day create about himself a pool of silence.

I have a healthy appetite for solitude. If you don't, you have no business being a writer.

When I was a younger man, art was a lonely thing. No galleries, no collectors, no critics, no money. Yet, it was a golden age, for we all had nothing to lose and a vision to gain. Today it is not quite the same. It is a time of tons of verbiage, activity, consumption. Which condition is better for the world at large I shall not venture to discuss. But I do know, that many of those who are driven to this life are desperately searching for those pockets of silence where we can root and grow. We must all hope we find them.

The further you go in writing the more alone you are. Most of your best and oldest friends die. Others move away. You do not see them except rarely, but you write and have much the same contact with them as though you were together at the café in the old days. You exchange comic, sometimes cheerfully obscene and irresponsible letters, and it is almost as good as talking. But you are more alone because that is how you must work and the time to work is shorter all the time and if you waste it you feel you have committed a sin for which there is no forgiveness.

I think if I was ever really going to be more serious about writing I'd have to try and find some way to do it with other people. I do find the silence kind of eerie.

How would you know if you were the last man on Earth? He said. I don't guess you would know it. You'd just be it. Nobody would know it. It wouldn't make any difference. When you die it's the same as if everybody else died too.

A writer needs certain conditions in which to work and create art. She needs a piece of time; a peace of mind; a quiet place; and a private life.

I think there is no way to write about being alone. To write is to tell something to somebody to communicate to others. . . . Solitude is noncommunication, the absence of others, the presence of a self sufficient to itself.

People think of art and science as being fundamentally opposed to each other, because art is about celebrating individual human creativity, and science is about discovering general principles, not about individual people. But in fact, the two have a lot in common, and the creative spirit is similar in both.

I love to write when I feel like everybody else is asleep and when I feel like the world is kind of empty in some ways. I find, oddly enough, that I write about loneliness and isolation a lot.

I think the great trick of doing my sort of thing is to learn to use your downtime, and of course in the media and especially in television, there's a heck of a lot of time of waiting around. And I think the trick is to use that.

Solitude, the safeguard of mediocrity, is to genius the stern friend

I think the silence would be good with me, and not interacting with people would be okay. But not being able to move outside of the space would be hard. Not being able to walk around - the stillness of my body, physically - that would be the challenge.

Girls, there are poets who learn from you to say, what you, in your aloneness, are; and they learn through you to live distantness, as the evenings through the great stars become accustomed to eternity.

Art for the most part, is about concentration, solitude and determination. It's really not about other people's needs and assumptions. I'm not interested in the notion that art serves something. Art is useless, not useful.

I think most writers would like a quiet space, complete isolation, in which they control their own time. Spaces of creativity in which there's very little interruption.

I work when I feel like I can do something that pleases me, that I think I can give a little more than I've given up to yesterday.

The greater the spirit, the more one is alone.

You get good at being by yourself and you're condemned to a life sentence of solitude. You think, "Wait a minute! I should have been a tap dancer or something". But in my life, I feel like I take my stories to people orally.

I think sometimes writers must attempt to communicate the incommunicable, because, whether they wish it or not, they're the ones to whom it falls.

When I can see someone that's posting the way that they're thinking about what's happening in the world right now or even art that they've created, it inspires me to do the same. It makes me turn off my phone and go paint a painting or go hike a mountain or go record a song. Those are the kind of things that social media helps me do. But it also can make me sit in my room and not do anything.

I love silence. And one of the paradoxes about the way I live and also about my work is that definitely one of the reasons I went into music, and especially into composing is that I love setting up an environment where I can be by myself for long periods of time and have everything as quiet as possible, either to think about sound, or to think about ideas, or just to focus on things that are important to me.

I think I've only spent about ten percent of my energies on writing. The other ninety percent went to keeping my head above water.