LUIS BARRAGAN

All architecture, which does not express serenity, fails in its spiritual mission. Thus, it has been a mistake to abandon the shelter of walls for the inclemency of large areas of glass.

Any work of architecture that does not express serenity is a mistake.

Life deprived of beauty is not worthy of being called human.

I have devoted myself to architecture as a sublime act of poetic imagination. Consequently, I am only a symbol for all those who have been touched by beauty. The words Beauty, Inspiration, Magic, Spellbound, Enchantment, as well as the concepts of Serenity, Silence, Intimacy and Amazement, all these have nestled in my soul. Though I am fully aware that I have not done them complete justice in my work, they have never ceased to be my guiding lights.

In the creation of a garden, the architect invites the partnership of the Kingdom of Nature. In a beautiful garden the majesty of nature is ever present, but it is nature reduced to human proportions and thus transformed into the most efficient haven against the aggressiveness of contemporary life.

Art is made by the alone for the alone.

Beauty is the oracle that speaks to us all.

A garden must combine the poetic and he mysterious with a feeling of serenity and joy.

Don't ask me about this building or that one, don't look at what I do, see what I see.

In alarming proportions the following words have disappeared from architectural publications: beauty, inspiration, magic, sorcery, enchantment, and also serenity, mystery, silence, privacy, astonishment. All of these have found a loving home in my soul.

It is essential to an architect to know how to see: I mean to see in such a way that the vision is not overpowered by rational analysis.

A garden must combine the poetic and he mysterious with a feeling of serenity and joy.

Beauty is the oracle that speaks to us all.

I don't divide architecture, landscape and gardening; to me they are one.

Life deprived of beauty is not worthy of being called human.

My house is my refuge, an emotional piece of architecture, not a cold piece of convenience.

I think that the ideal space must contain elements of magic, serenity, sorcery and mystery.

Architecture is a art when one consciously or unconsciously creates aesthetic emotion in the atmosphere and when this environment produces well being.

Don't ask me about this building or that one, don't look at what I do, see what I see.

I have devoted myself to architecture as a sublime act of poetic imagination. Consequently, I am only a symbol for all those who have been touched by beauty. The words Beauty, Inspiration, Magic, Spellbound, Enchantment, as well as the concepts of Serenity, Silence, Intimacy and Amazement, all these have nestled in my soul. Though I am fully aware that I have not done them complete justice in my work, they have never ceased to be my guiding lights.

All architecture, which does not express serenity, fails in its spiritual mission. Thus, it has been a mistake to abandon the shelter of walls for the inclemency of large areas of glass.

In alarming proportions the following words have disappeared from architectural publications: beauty, inspiration, magic, sorcery, enchantment, and also serenity, mystery, silence, privacy, astonishment. All of these have found a loving home in my soul.

I believe that architects should design gardens to be used, as much as the houses they build, to develop a sense of beauty and the taste and inclination toward the fine arts and other spiritual values.

In the creation of a garden, the architect invites the partnership of the Kingdom of Nature. In a beautiful garden the majesty of nature is ever present, but it is nature reduced to human proportions and thus transformed into the most efficient haven against the aggressiveness of contemporary life.

Only in intimate communion with solitude may man find himself. Solitude is good company and my architecture is not for those who fear or shun it.

Art is made by the alone for the alone.

Any work of architecture that does not express serenity is a mistake.