Tucker Carlson Quotes

A lot of the things I do deal with my race, but my race is who I am. I'm an American kid who grew up listening to predominantly hip-hop. I will talk about hip-hop as the music I grew up listening to, and I think sometimes people like to put it as, 'Oh, well, he's talking about black things.' And, yeah, they are, but that's my American identity.

I want to make it clear that the black race did not come to the United States culturally empty-handed. The role and importance of ethnic history is in how well it teaches a people to use their own talents, take pride in their own history and love their own memories.

Throughout most of my life, I've tried to downplay my Chinese heritage because I wanted so much to be an American. I was the only Asian kid in my elementary school, and I longed to be like everyone else. I insisted on American food; I was embarrassed by my mother's poor English.

To make an absolutely gross generalization, I think a lot of people feel like if you're mixed, more often than not you're quote unquote white. So if you're mixed, you embrace the mainstream culture more than the African-American culture.

When I got near teen age, I was so happy with my friends and the African-American culture that I couldn't imagine not being part of it.

Negroes' problem is that they do not have their egos. That's why our churches end up having a white service, because our preacher is not arrogant enough to take God's word, so he have to go and get some white fellow's agenda and put it in his church.

The Nation of Islam's main focus was teaching black pride and self-awareness. Why should we keep trying to force ourselves into white restaurants and schools when white people didn't want us? Why not clean up our own neighborhoods and schools instead of trying to move out of them and into white people's neighborhoods?

Is it true that we must accept the music of another race as being that which is American? Have not the white Americans sufficient individuality to develop a characteristic style of composition.

We [American Blacks] are a nation within a nation, looking for a nationality

I am not afraid of European influences. The point is to use them, as Ellington did, as part of my life as an American Negro.

I always feel like people misunderstand the difference between an Asian story and an Asian-American story. That's completely different, too. I have friends who grew up in Asia, and our experiences are so different. Even though we might look the same, I feel like being Asian and then being Asian-American is completely different.

If I were black, I could say I'm proud. If I were Asian, I could say I'm proud. If I were any other ethnicity, I could say I'm proud, because that's how our culture is, but if I'm white and I say I'm proud, the media will go nuts.

America used to say that hip-hop was a cancer. Then it embraced that cancer and realized, 'Hey, this isn't a bad thing. It is part of us, just more America.'

If our culture is so often readily and easily appropriated, imagine what happens when we embrace our full blackness and know that our contributions are just as important to the shaping of the country and, more broadly, the world.

The Negro and all things negroid had become a fad, and Harlem had become a shrine to which feverish pilgrimages were in order . . . Seventh Avenue was the gorge into which Harlem cliff dwellers crowded to promenade.

[Black nationalism] is not designed to make the black man reevaluate the white man--you know him already--but to make the black man re-evaluate himself. Don't change the white man's mind; you can't change his mind. And that whole thing about appealing to the moral conscience of America--America's conscience is bankrupt.

We know nothing about Africa, although our roots are there in terms of our forbearers. But I mean as far as the average Negro today, he knows nothing about Africa. And I think he's got to face the fact that he is an American, his culture is basically American, and one becomes adjusted to this when he realizes what, what he is.

The Harlem of my books was never meant to be real; I never called it real; I just wanted to take it away from the white man if only in my books.

That value system has been handed right down in European society. And today when you find Negroes, if they even look like they're adopting these so-called middle-class values, standards, it's not that they are taking something from the white man, but they are probably identifying again with the level or standard that these same whites have gotten from them back during that period.

When you want a nation, that's called nationalism... Black nationalism. A revolutionary is a Black nationalist. He wants a nation.

When I was a teenager, black pride became newly popular again. Suddenly a lot of black people were wearing the fake kente cloth and red black and green and Bob Marley. That was sort of my window into finding my own identity as a black person.

If the American Negro is to have a culture of his own he will have to leave America to get it.

I would say that I put down a lot of the white American culture, and ways, and beliefs.