David Cronenberg Quotes

Every poem probably has sixty drafts behind it.

Writing is probably one-fifth coming up with the stuff, and four-fifths self-editing again and again and again.

Books aren't written - they're rewritten. Including your own. It is one of the hardest things to accept, especially after the seventh rewrite hasn't quite done it.

Seventy percent of what I write, I throw out. I can write very easily, but writing original things is the hard bit.

Oh, I do a tremendous amount of rewriting. I just obsessively rewrite. Although sometimes there are sections, sometimes you're just lucky and a paragraph will just kind of come out. And that's great. But that's not ordinary in a day's work.

There are producers, like the late Geoffrey Perkins, who have truly great ideas that will fire up your synapses and show you that handing in your first draft is not the end of a horrible process, but the beginning of a beautiful one.

I have friends who are capable of writing a very rough draft and then going back and embroidering - they're sort of the cathedral builders of fiction. I never really know what I'm doing, and all my pleasure's on the level of the line.

I write 1,000-1,500 words. The next day, I rewrite it and add 1,000-1,500 words to the end of it.

I haven't had trouble with writer's block. I think it's because my process involves writing very badly. My first drafts are filled with lurching, cliched writing, outright flailing around. Writing that doesn't have a good voice or any voice. But then there will be good moments.

It takes me a very, very long time to write a story, to write a piece of fiction, whatever you call the fiction that I write. I just go about it blindly, feeling my way towards what it has to be.

Writing is part intuition and part trial and error, but mostly it's very hard work.

I hate first drafts, and it never gets easier. People always wonder what kind of superhero power they'd like to have. I wanted the ability for someone to just open up my brain and take out the entire first draft and lay it down in front of me so I can just focus on the second, third and fourth drafts.

I like to edit my sentences as I write them. I rearrange a sentence many times before moving on to the next one. For me, that editing process feels like a form of play, like a puzzle that needs solving, and it's one of the most satisfying parts of writing.

The way I outline has changed quite a bit from when I first started writing.

If you're having trouble finishing a book, it might be that you're trying to fix it as you go. Just finish the story, no matter how terrible you think that first draft is. Then let it cool off. In other words, don't look at it for a while. Then you can rewrite it.

For me, most writing consists of siphoning out useless pre-story matter, cutting and cutting and cutting, what seems to be endless rewriting, and what is entailed in all that is patience, and waiting, and false starts, and dead ends, and really, in a way, nerve.

Plot is not my forte. It's like I have to live in my head in the book for a while before I figure out what the story is... My process is a bit messier.

I'm not a good writer. It takes me a long time to get there. I write and then rewrite and revise and do it over and over until I'm satisfied.

I tell my students that with a 200-page novel, you are going to write 100 pages that don't make the final cut. See it as an opportunity, although it took me a while to enjoy that 'lost in the woods' feeling.

I write everything out in longhand in one fast go. And then I throw out the first few and start over again. By the end of the first draft, the whole thing's messy and disgusting and horrible, but you really understand the foundational stuff.

Keep your hands moving. Writing is rewriting.

I find writing a book a slow, intricate process, a kind of obstacle course punctuated with great rewards. But research is always thrilling, and I tend to incorporate newfound material up to the very last minute.

I very rarely write anything before what I see what I'm writing for.

Write. Write. Write. Learn how to revise. No story is perfect straight from the keyboard.

You might not write well every day, but you can always edit a bad page. You can't edit a blank page.