Howard Pyle Quotes

While it's really hard to do, at the same time, I'm escaping my body, which I really want to do. I'm living someone else's life. I get very intensely into the story, into the interviews and the research. I'm experiencing things along with my subjects. I have a freedom I don't have in my physical life.

I get into a zone where I'm really in my own world when I make music.

I try very much, whenever I do projects, whatever it is, there's only one thing on my mind, only one thing.

When I make a movie, I completely dive into it and I can't really take anything in at all, at that time.

Well, you put a little piece of yourself into every character that you do. Even if you're playing some psychotic person, which of course I'm not, some part of you is in that character and it's hopefully believable. I always come back to the fact that my own instinct is better than something I build in my mind.

The human mind is a channel through which things-to-be are coming into the realm of things-that-are .

From a purely external point of view there is no will; and to find will in any phenomenon requires a certain empathy; we observe aman's actions and place ourselves partly but not wholly in his position; or we act, and place ourselves partly in the position of an outsider.

I used my mind, and then eventually the method I used allowed me to master my craft.

My mind and fingers have worked like the damned. Homer, the Bible, Plato, Locke, Lamartine, Chateaubriand, Beethoven, Bach, Hummel, Mozart, Weber are all around me. I study them. I devour them with fury.

I don't think I can see the world through other people's eyes, but I can capture an attitude or a look that makes others think I can. I have an appreciation for why people choose to look the way they do. But I can't know what they experience.

My work is never intellectual. I never make a negative unless emotionally moved by my subject.

I project myself so deeply into the characters in novels that I'm not thinking about my own life.

When you're reading something, your imagination goes and you see it in your mind. Sometimes my instincts with that are right, and sometimes they're wrong.

It is the tragedy of other people that they are to us merely showcases for the very perishable collections of our own mind.

Sometimes I go outside after a long stretch of writing and I'm surprised it's not raining. Or that it's daylight. Or that it's not the middle of winter. I don't know if that level of immersion is normal, but it's now I do things. I like it. It works well for me.

one of the most mysterious of semi-speculations is, one would suppose, that of one Mind's imagining into another

If I write a character, instead of looking from the outside, like maybe a journalist would, trying to describe them physically and figuring out what kind of things they might be interested in or have in their house, I don't really do it that way. I try to feel what it would be like to be inside this person, to be them.

It’s mostly just you have to convince yourself that there’s nothing else in the room but John Lennon and suddenly things start John Lennon-ing!

It's amazing to completely focus on something for four, five or six months, have it completely consume your life and be constantly thinking about somebody else's set of circumstances and how they would react to something. I find it fascinating. It's rewarding and on a professional and personal level.

There is no such thing as vicarious experience.

...imagine what you are writing about. See it and live it. Do not think it up laboriously, as if you were working out mental arithmetic. Just look at it, touch it, smell it, listen to it, turn yourself into it. When you do this, the words look after themselves, like magic.

I sort of have the belief that you work being your character out while you're working on it, or that's been my experience so far. I throw myself into it 100% and try to live in that world, and then when it's over, just sort of be able to leave it behind.

I'm not presumptuous enough to feel that people are going to feel what I have in mind, so I tell a story, you know, let them read something, that doesn't change, that as I have said it, you know, so that's the way I feel about the viewer, the viewer has a mind of their own and eyes of their own and they're going to see it their way, I just hope they look.

Sometimes, you can incorporate things that you've experienced in your life and use that. And, other times, you just know what that feeling of hurt, love, anger and depression is, and you do whatever it takes to get there in your mind, and use it to your advantage, whichever way it works best.

Writing is my passion. It is a way to experience the ecstatic. The root understanding of the word ecstasy—“to stand outside”—comes to me in those moments when I am immersed so deeply in the act of thinking and writing that everything else, even flesh, falls away.