Larry Mullen Quotes

I was always the sexy bass player in the background while Robin stood centre. Barry and I played it up a bit, gave 'em a bit of thigh.

I don't really think about the fact that a lot of people are watching 'DSDS' or about the way I should phrase my sentences.

I would advise you to keep your overhead down; avoid a major drug habit; play everyday, and take it front of other people. They need to hear it, and you need them to hear it.

Then Bono arrived, and he meant to play the guitar, but he couldn't play very well, so he started to sing. He couldn't do that either. But he was such a charismatic character that he was in the band anyway, as soon as he arrived. I was in charge for the first five minutes, but as soon as Bono got there, I was out of a job.

Most of the time when you do a job, a play or a film, you're wondering, "Will there be an audience?"

When you do bigger jobs there's more attention and when you film in New York you get loads of paparazzi everywhere. It affects your work because you're trying to think about the person you're acting with and you've got 20 other lenses taking pictures of you at the same time, and it throws you.

I don't want to be a celebrity athlete. When you are, there's this pressure on you. It's like you have this halo over your head and have to walk on eggshells. That's not for me. All that glamour builds up a false sense of ego. It's not needed. I'm already happy with who I am. My job is just to get on the podium.

There's been someone up here screaming 'Landslide' for the whole show... Normally we don't play 'Landslide,' but on occasion we've been known to play it... So since this person's been screaming it all show long... That just about kills the chances of me playing it tonight, or ever again.

I don't think anything could prepare you for whatever fame is. Fame is a very hard word to define cause it means different things to different people for different reasons so I never really think of it as fame, I think of it as part of the job.

If you lead a public life, people are much more on to you than you think.

In a way, the songs are written to be performed. I put them on records, but I'm always thinking about how an audience would react to it. I realized at age 7 that I wanted to be a performer, and I used to do that, and occasionally I'll get an acting job. I don't really make much of a living as an actor, but it's fun to do it when I get a job.

I never think about the numbers. I've never played tennis for the money, because as long as I enjoy it, and I can achieve anything, then the money will come. I know that things will start coming up, many more people will want to start getting involved. But I just want to keep my head cool, and I want to leave (business) to the people who take care of business. I just go out and I just play tennis.

Having to stand in front of an audience and have it be your job to make them laugh, you can't really look to anyone but yourself. It's what you wrote, what you said and how you said it, so it's kind of terrifying, but I liked it. When it goes well, it's the best feeling in the world. When it doesn't go well, it's the worst feeling, but once you get into the rhythm of it, I think it's really fun.

Michelle Obama gives a speech, and everyone loves it. It's fantastic. They think she's absolutely great. My wife, Melania, gives the exact same speech... And people get on her case.

I think Jennifer Lawrence is that inside of herself. As long as I've known her she's been both 10 years old and 50 years old. And we've watched her grow up since she walked on "Silver Linings Playbook" as a 20-year-old and had not been - "Hunger Games" had not come out. And I've watched her have to take on and deal with a great deal of attention and resources and people.

Catch Harry Belafonte. He's got a helluva rhythm section.And so have the Pointer Sisters. And that little guy with Sammy Clayton. He plays the whole show with 40 members.

I think where I've instinctively found myself is that I am somewhat guarded in my public life. Being interviewed or being photographed or just in public attention, I have a certain reserve. But when I'm working I feel like I'm very open. At least I like to believe that I feel like nothing is held back when I'm in front of a camera. That's my job.

Life becomes difficult when you're in this public eye, and I think that we all relate to each other and I try and really talk about it in my music.

I got cast in a school play and I fell in love with that. I felt comfortable on stage and found out it was a brilliant way of expressing myself and I was happy and I could do it.

I think some of the most beneficial things being an artist has brought to me in film is just you're not afraid to do things. You're used to being in front of people. That's not the problem. The biggest thing is just getting into the character and really delivering.

I think the best advice I'd say to any actor when you do comedy is play it straight.

I don't think about music as being new or modern. I just play.

The last thing I want to do is having someone get behind a Montgomery Clift biopic, and then just do the first script that came out. Sometimes it takes a long time for these things to gestate. And I'm only going to do it if it's the right story that's told for the right reason, and that's relevant to this day and age, as much as it pays homage to who this man was. Should that happen during the time when I'm still young enough to play him, perfect. And if not, hopefully someone else will get to play him because I do think it's an incredible story.

I think the one-on-one gigs connecting with the fans - is the most important thing. That will help build your fan base. They'll talk about you, and word spreads. Those things are just as important as knowing how to play an E chord.

Usually in the first performances I'm completely panicked. And I pull myself together. By the time you get to the end of the play, you really start to have fun.