Zlatan Ibrahimovic Quotes

The best way to predict the future is to invent it.

Tradition can, to be sure, participate in a creation, but it can no longer be creative itself.

Things change and work changes. Right now I like the idea of enveloping a space and getting messages across that connect to the world in ways that seem familiar but are different.

But I won't work with the exact same crew film after film because I feel the work would get a little complacent.

It's so important to adapt, think outside the box, and stay ahead if you want to grow.

When you have such a huge past, a big background as we have, you can play off that - a lot of people do. But we felt we wouldn't have a legitimate future unless we put something new together.

Everybody's career has ups and downs. I like to take chances; I don't like to stand still. And I don't give a damn what the market is interested in; I want to try things.

As an actor, you always have to reinvent yourself or you end up in the gutter somewhere. It's my job to always change people's minds. I've known that for a long time and I've had to do it.

I think it's an actor's responsibility to change every time. Not only for himself and the people he's working with, but for the audience. If you just go out and deliver the same dish every time... it's meat loaf again... you'd get bored. I'd get bored.

We make the oldest stories new when we succeed, and we are trapped by the old stories when we fail.

In the comic-book world, there tends to be an overblown sense of tradition. Bad habits die hard. There are ways I think the form could work more effectively if we lost the bad habits that were created before we were born.

I originally had opened the studio in New York to combine my two loves, music and design. And we created videos and packaging for many musicians that you know, and for even more that you've never heard of. As I realized, just like with many, many things in my life that I actually love, I adapt to it. And I get, over time, bored by them.

I found at a certain point in my acting career that I was just bored. I had too much energy. I had too many ideas.

I had opportunities to stay on shows for long periods of time, and maybe financially that would have been good, but I feel good about trying to keep doing things that are a little bit different than what I've done.

Pay attention to them kids, don't let your feelings be hurt because they taking your place. They supposed to. But if you wanna stay around with them, you ain't got to copy 'em. Just get the ones that's real young, too young to even be copying yet, because you know they gonna be the next thing.

I really did start a whole way of thinking about musical theater.

I love seeing the new generation take something that we've done and reinvent it for a whole new time.

Tradition matters. To me it's not a limiting force; it's a springboard.

Apart from hard work and being in the right projects, you need to re-invent yourself. I'd be bored doing the same thing over and over, and the audience wouldn't like it, too. The trick is to break that monotony.

In my career, I'm always trying to do something different.

We must create our own world.

Creativity is the antidote to destruction.

When I was going through those very fast changes, I think it was terribly important to me that I was seen to be inventive. I think that was the characteristic of my work that I wanted people to see.

Artists to my mind are the real architects of change.

Traditions are lovely thingsto create traditions, that is, not to live off them.