Davy Jones Quotes

Ever since I was younger I wanted to be on stage, singing my songs in a glittering costume. And that happened and is still happening. I have to remember that this is what I wished for and be grateful because there are 500 other girls right behind me that are ready to snatch it up.

We just did what we'd done when we were an act in the '60s. But I found it impossible to hold a dialogue with 500,000 people. In a certain sense, it was numbing.

I remember working with Ray Charles when I was quite young, and I would wonder, 'Why would he sing 'Georgia On My Mind' and 'I Can't Stop Loving You' every night?' I said, 'Oh my God if I have to sing these songs, if I have to sing 'I Can't Stop Loving You' one more night, I'm going to fall out.' Of course, I was young and I didn't understand.

That person who's going to a concert for a nostalgic reason, we're not really going to placate. We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it.

My look was even more solidified when I started singing in Greenwich Village with my sister Lucy. We wore matching dresses as the Simon Sisters.

I do a lot of performing, but don't get a chance to go to the studio and write good music.

I would never take part in one of those Eighties nostalgia tours, although I've been asked many times, because it's like admitting you have nothing new to offer. As long as I can keep making music I'm happy with, and people want to come to my gigs to hear it, I'll carry on.

The truth is, I initially became a singer-songwriter while still in my teens because it was the only way to guarantee that somebody on earth would sing the songs I was writing. Since then, I've performed just about everywhere: rock clubs, concerts halls, arenas, TV.

My singing really seemed to connect with people, and it ended up as my main career, which I love.

The Grand Ole Opry is an artist, and I am proud to be one of its songs.

I don't think that there's much that sets me apart from other musicians, but I think there are definitely things that set me apart from other kinds of artists. I feel that musicians do it their own way, write their own songs and put on a great live shows.

But ya know what, I am a part of something that happened. I'm a part of the music that happened. My voice is one more instrument, is what it is. So that's the way I feel about people who play on sessions.

I like revisiting my early work, and people like to hear it. I don't make people suffer through any experimentation or new material. When I go see an artist, I want to hear the songs that drew me to them, so I do the same.

This business is about working. It's really not about glamour. For me, the most glamorous thing about it is to b able to get on stage and perform my music for people. That's the privilege. And that's what all the work leads up to, and that's why it's worth it to me.

I'll sing as long as people want to hear me, and I'll be able to sing as long as I'm alive.

Well, over the years, I've developed a stable of songs of which I'm known for and never get tired of singing.

As soon as I touched the mic, I knew that's what I would do for the rest of my life.

All roads lead to 'American Pie.' 'As American as apple pie' was the saying. It was some kind of a big American song that I wanted to write, which would be a conclusion for my show and bring all the songs home, which it still does. I can go anywhere I want with American music and come home to that. And it all makes sense.

At a crude estimate, I must have played 'Thunder Road' 1,500 times.

When I'm performing music, it's like I'm doing a big improv.

I love hearing the same songs over and over again - as long as queens challenge themselves to come up with new ways of performing them.

I've performed in concert halls thousands and thousands of times in my life.

I did not want to go onstage and play Led Zeppelin songs; there has to be more than that. I wanted to create a complete experience of what Led Zeppelin means to me, growing up around them and being part of it all my life.

To just to get up on stage and sing every night at 9 or 10 years old was unbelievable to me. It wasn't that I was getting paid; it was that I was getting paid to do what I like to do.

I feel like the Roses were a great group, but I never wanted to try to do it again. I knew I couldn't get a band that would compare to the Roses, that would have an impact like the Roses.