Anna Quindlen Quotes

I never thought about what I would write. I just come from such a big family of storytellers.

My models were oral, were storytellers. Like my grandmothers and my aunts. It's true, a lot of people in my life were not literate in a formal sense, but they were storytellers. So I had this experience of just watching somebody spin a tale off the top of her head. I loved that.

My mother is the best storyteller. And her mother was too.

I grew up in a society with a very ancient and strong oral storytelling tradition. I was told stories, as a child, by my grandmother, and my father as well.

It's not an accident that both my sister and I are writers. Our parents created an accidental Petri dish. My family has great storytellers, and I grew up in a very funny, conversational house and didn't have television. This small family farm was a bubble world that didn't have much to do with reality.

I come from a big family of storytellers and, growing up, I liked hearing about the years before I was born.

Everybody in my family were great storytellers. My dad and his brothers would just go on and on; they could tell amazing stories. I think it was something to do with the Celtic, oral storytelling tradition. People very much had that propensity towards telling tales.

My mother was an oral storyteller. She would tell stories over and over again.

Long before I wrote stories, I listened for stories. Listening for them is something more acute than listening to them. I suppose it’s an early form of participation in what goes on. Listening children know stories are there. When their elders sit and begin, children are just waiting and hoping for one to come out, like a mouse from its hole.

It's always seemed to me that black people's grace has been with what they do with language. In Lorrain, Ohio, when I was a child, I went to school with and heard the stories of Mexicans, Italians, and Greeks, and I listened. I remember their language, and a lot of it is marvelous. But when I think of things my mother or father or aunts used to say, it seems the most absolutely striking thing in the world.

Each of us has been designed for one of two immortal functions, as either a storyteller or as a cross-legged listener to tales of wonder, love, and daring. When we cease to tell or listen, then we no longer exist as a people.

My father used to tell me stories before I fell asleep. When the children would gather, at a certain point, I had a tendency to make up my own elementary variations on stories I had heard, or to invent totally new ones.

I come from a family of storytellers. Growing up, my father would make up these stories about how he and my mother met and fell in love, and my mother would tell me these elaborately visual stories of growing up as a kid in New York, and I was always so enrapt.

I have two sisters that are directors: one's in documentary, one's in film. My mother was a writer and a painter, so I've been surrounded since childhood by dynamic women and female voices in arts.

I was brought up telling stories, when I was a kid, in the tiny village where I grew up. Storytelling was a tradition.

I have two parents who are brilliant storytellers. The art of developing a story and nurturing a story was present in my household from the day I was born.

I come from a family of storytellers. My grandmother was great at telling stories, and my mother was an amazing storyteller.

I've always liked telling stories. That probably came from my dad, who definitely had the gift of gab and who wove a kind of personal folklore about his youth - stories full of adventure and ghosts and wild antics.

Southerners love a good tale. They are born reciters, great memory retainers, diary keepers, letter exchangers . . . great talkers.

You know," King said, "I'm not much good at telling stories. That sounds like a paradox, but it's not; it's the reason I write them down.

I'm obsessed with this idea of storytellers and people who have a narrative, and sometimes sustain a relationship because they're telling a narrative and someone is listening to that. Often the nature of the relationship is determined by how well they tell the story, or someone else's ability to suspend disbelief, or infuse into their narrative something which they may not even be aware of.

The most powerful words in English are, 'Tell me a story.'

The only thing I would want to say is that storytelling is ancient; it's something that everybody does. Kids mustn't be in awe of it. Reading should be a joy - fun, fun, fun - not a responsibility, not something you do because society demands it, but something you do because it's a pleasure.

In the old days, people would gather around the fire, or they would gather at a tavern, and they'd tell a story. And then, maybe a week later, someone would tell the same story, but with a different twist on it. That's how folk takes evolved.

The Irish, as a race, have the oral tradition in their blood. A direct question to them is an anathema, but in other cases, a mere syllable of a hero's name will elicit whole chapters of stories.