Family Stories Quotes

To tell you the truth, my father says I came out of the womb literally singing and dancing, as though there was a spotlight on me. When I ask what I was like when I was little, they just say 'loud.'

There are dozens of great American writers who write about the family.

My father is from Mississippi, and I heard stories of racial injustice my whole life.

There was Uncle Ken of mine about whom I wrote a lot of stories. I can always write stories about uncles and aunts and distant relatives. They have to be distant, though; otherwise, you'll be in trouble.

My grandfather was a cop in Long Island. I often try to draw on things that I've heard about him.

I'm named after a horse. My mom's best friend had a horse named Brooke, so my dad suggested 'Brooklyn' as a more formal version, and it just stuck - and now I live in Brooklyn part-time, so go figure.

In families there is always the mythology. My father died when my kids were quite young still, and yet they still tell his stories. That is how a person lives on.

Storytelling was a way to see the world bigger than the one you were looking at, and that had great appeal for me. I think, since that was part of my upbringing, it became part of me, and I wanted to pass it along to my kids and my grandkids.

The table is the number one place we pass on family stories and it's the knowledge of where your family came from that helps build self-esteem and resiliency in kids. When we stop having dinners, we stop passing on those stories. And, of course, when you make food at home you actually know what's in the food you are eating. It is the healthiest, greenest thing you can do!

When my mother talked about her brother, there was this light in her eyes. I thought, 'This is the basis of a novel.'

All my father's stories were about our mountain, our valley, our jagged little patch of Idaho.

A military childhood in the 1950s was very much informed by WWII. My brothers and I often heard stories from our dad - and from other kids - about things that had happened to their dads. We constantly played war games and, nearly every Saturday, saw a different WWII movie at the post theater.

His name was Michael R. Ross. I've never known what the "R" was for. He died, however, before I was 7. But he and I seemed to have had quite a nice relationship. He always called me grandlady, and he'd always talk to you as a person rather than as a child. So, I would go with him for his routes in his horse and buggy. So, my memory of him is pretty sharp, plus it has been accentuated by the stories that come out of the family.

Everybody in my family were great storytellers. My dad and his brothers would just go on and on; they could tell amazing stories. I think it was something to do with the Celtic, oral storytelling tradition. People very much had that propensity towards telling tales.

My appearances are almost theatrical performances. I bring items for the children to see, such as photographs and actual piece of meteorite, a family quilt, sometimes spectacles, sometimes clothing, so that they can understand what I write about is family stories based in fact.

Writing a memoir begins a process that doesn't necessarily end with publication. You begin to think about family life and stories and relationships, and those are ongoing.

When I was born, my parents - my mother especially - couldn't come to terms with that fact that they had another baby girl. I know these stories in detail because every time a guest visited, or there was a gathering, they repeated this story in front of me that how I was the unwanted child.

People have heard about me, but they haven't heard about things my brother and my parents have gone through, and stories about growing up and living a dream come true.

What I really had was stories, the oral traditions of my parents. We moved so much that that was really our encyclopedia. A dream world told to me from my parents in the living room.

Readers tell me that my novels are filled with significant mothers. Do I realize this? Do I do it on purpose? The truth is, I don't. I think of myself as a writer of family stories. I write more often than not from a male point of view, and I usually begin by focusing on siblings, spouses, even fathers, before I think about the mothers.

Chinese Americans, when you try to understand what things in you are Chinese, how do you separate what is peculiar to childhood, to poverty, insanities, one family, your mother who marked your growing with stories, from what is Chinese? What is Chinese tradition and what is the movies?

I like exploring both the light parts and the dark parts of a single person. And all of those shades tend to come out most acutely in stories about families.

Of course, we carry inside of ourselves our parents. Even when they are dead, we carry them inside ourselves. And they are carrying inside themselves their dead parents and so on and so forth. There is a legacy of language and culture and religion. In some cases, family stories told by grandparents to little grandchildren. When I say my novels are set in Israel in the last seventy years, this entails the fact that they begin hundreds or thousands of years earlier in time. Everybody comes from somewhere.

Our sister Alma was the best hitter in the family. We used to soak corn cobs in water so they wouldn't fly so far when we hit 'em. Alma was the first to hit one far enough to break a window in the barn.

If you want to understand any woman you must first ask about her mother and then listen carefully. Stories about food show a strong connection. Wistful silences demonstrate unfinished business. The more a daughter knows about the details of her mother's life - without flinching or whining - the stronger the daughter.