Julia Hartz Quotes

We wanted to harness the power of technology to make it possible for anyone to sell tickets to any type of event.

We always had a sense that we were the underdog. There's lots of competition and niche players. But we have every type of event on Eventbrite, whether you're a consumer or you're organizing a bacon festival. Our identity is our users.

I want to know that I am putting 30,000 individuals in seats in arenas. That's my goal.

I'm actually studying hospitality and I have a concentration in event planning and design. I study mostly around event management and a little bit of business.

There's no question that the Kings have been, are, and can be great hosts for any major events.

We are not to lead events, but to follow them.

People would ask if I wanted to host things and I was like, "No, I'm a writer, I don't host things." Just thinking I wouldn't be good at it - which is true - but also just wanting to hold on to some part of my identity.

Some venues are better run than others. Sometimes it's just maddening to deal with full dinners being served in front of your face. You can have a good or bad show anywhere.

Rex has photographers around the world - it's a higher touch business: there are a lot of relationships involved. If you throw an event, there are certain photographers you've worked with before and you want there.

Indianapolis proved to be the perfect Super Bowl city, accommodating in the truest sense of the word.

Even if I tried to fill up the stadium in Ramat Gan, I don't think I could.

I'm not actually a very keen performer. I like putting shows together. I like putting events together. In fact, everything I do is about the conceptualizing and realization of a piece of work, whether it's the recording or the performance side.

WrestleMania is a week-long series of events, and the logistics of executing that week along with the week leading into it and the week after it are extraordinarily difficult in our own back yard.

A lot of my skills came from university. We did everything from stage work to operating the sound boards to marketing shows and more.

I always love meeting other promoters.

Leading Eventbrite has taught me a lot about how to connect with people to drive results.

The sports arena Julie calls home is unaccountably large, perhaps one of those dual-event 'super venues' built for an era when the greatest quandary facing the world was where to put all the parties.

It's a lot of work organizing something, whether it's a show or a book, and I don't want to do it every day.

Events need their invitation, dissolutions their start.

It's mind-blowing that I have to pay attention to every little detail. But it's my name. It's TanaCon. And if anything bad happens, bad security or whatever, it's on me. So, I've been putting my heart and soul into making this the best that I can.

The better job we do of getting the right fans in the right seats at the right time, the more money our clients are going to make.

A promoter needs to be in the e-commerce ticketing business. In a fundamental sense the promoter's job is to buy a show and go and market and sell the tickets.

There are a lot more variables with festivals than just playing in a venue.

It's extremely easy to get people to share what events they are going to because events are inherently social.

I think anytime you have an event for the first time ever, like a Super Bowl or WrestleMania or UFC, as the years go by, everything becomes more polished with promotion and bigger stars.