Buddy Rich Quotes

Yes, we record practically everything on Pro Tools.

I can record auditions from my office in my home.

When we recorded our first album sixteen track machines were the thing.

I'm sure I'll go back again and record in the digital process.

Nowadays you can record on your laptop with Pro Tools, which I do quite often.

Everyone always tells you about how amazing recording their first album was and how they'll always look back on the 'process' with fond memories. I will look back on it as an extremely stressful time that somehow also managed to be extremely boring.

When you use some of the more modern recording devices and Pro Tools, when you get into the technology, you are aching to get into some territory.

Then I loved the fact that we were actually recording live.

For my second record I had gotten ProTools (program) and started to familiar myself with hard disc recording.

Boy, I'd hate to shoot on tape or disc or whatever the hell they're talking about. I love film.

Some people record onto tape, and then they pay for the tape, and download those onto a hard drive. Initially in a Pro Tools program. Other people go straight into digital, and use no tape at all.

I have a very limited knowledge of recording, but the miracle of being able to capture sounds on magnetic tape and the miracle of electricity, and these little magnetic particles, is amazing to me.

The thing that's cool about the recording booth is that it's so perfunctory, so cut-to-the-chase.

I can't get that live and I don't have the time to take the tape, after I've finished recording it, into a little studio somewhere else where I can get a different kind of percussion sound.

I'm a huge fan of home recording. I think it levels the playing field. You don't need $100,000 to record a studio CD.

I've done a lot of albums and I kinda know when I'm onto something that was inspirational for me to record and create, and this was one of those projects where I really enjoyed making the album.

Yes, alas, I've been on some recording sessions where the music wasn't good. Not so many, really, considering how many I've done. It's a very awkward situation because to do a recording well you focus on the positive of what will make the piece better.

Now, you can just get a laptop, get some software, put a microphone on it and make a record. You have to know how to do it. It does help if you've had 35 or 40 years of experience in the studio. But, it still levels the playing field so artists can record their own stuff.

I like making little videos and little records. I've always loved video cameras and four-track cassette recorders, still cameras, anything.

I have a recording that I did of instrumental songs.

I was broadcast-struck from an early age; I had saved up for a tape recorder and started making programmes.

When you're doing voice work, you're in a bubble where you just think about the story and the words. They record you on video while you're doing the voice work, so they capture how your face is moving and the gestures you make.

When the picture was finished, they took me into the sound room and then I screamed more for about five minutes just steady screaming, and then they'd cut that in and add it.

If you talk about the 'Tango in the Night' album, the reason I didn't do that tour was because the album took about 10 months, and it was such an uncreative atmosphere.

I've got a studio at home, and I'm always recording.