Adam Baldwin Quotes

In a way, I don't want to know what's being said in casting offices, because it can get pretty brutal, and I don't want to have to think about the reasons why I don't get one job or do get one job. I can say, 'Oh, my height,' and that'll make me feel better, but I don't know for sure.

Every audition that I walk out of where I think I nailed it, I never get that job, ever.

I don't think auditioning will ever faze me again after the 'Grease' TV experience. It was fierce. There were thousands of people auditioning in four cities. I flew from home in Minneapolis to audition in L.A. I waited in line all day. I arrived at 7 A.M. and wasn't seen until 6 P.M.

There couldn't possibly be a more label-driven industry than acting, seeing as every audition comes with a character breakdown: 'Beautiful, sassy, Latina, 20s'; 'African American, urban, pretty, early 30s'; 'Caucasian, blonde, modern girl next door'. Every role has a label; every casting is for something specific.

Acting was not for me. They were saying, you are too beautiful, you are too ugly, you are too plump, too tall, too short. You cannot believe the way you are judged.

Your agents and your managers will always say stuff to you like, "It's really important to make a good first impression on a casting director. And even though you didn't get that job, because you did well that means they'll keep bringing you back in." But when you really just need a job to pay your rent, that stops being very consoling.

See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.

I slowly came to realize that this job of being an actor, you spend most of your time looking for work. That is your job. Your job is auditioning. You spend very little of your time actually working.

I didn't tell anybody [had got a role at As Good As It Gets], because I was just going, "Well, that was the strangest audition..." And I just thought, "There's no way he gave me the job on the spot when there was a room full of other girls waiting to audition for it." But then I didn't hear anything for a couple of days, so I finally called my agents, and they're, like, "Oh, yeah, congratulations! We know Jim [L.Brooks] told you in the room that you got it."

I know what it's like to audition, so it's important that everybody who auditions, even if I know right off they're not right for it, has a good experience. So I'll never just have someone do one pass at it and say "Thank you".

I had no idea that, when you audition for television or movies, you go to a big building - like, an office building - and you walk in the room, and everybody, I assumed, was smarter than me and better than me, and there's actors you recognize. I once fainted at an audition.

I first came to LA auditioning during pilot season. I didn't really know anyone. The only people I'd meet were the girls I was up against at auditions. It wasn't the friendliest bunch.

The Tudors”) “I walked away thinking, well, if I don't get the job, it doesn't matter - I've kissed Jonathan Rhys Meyers!

In terms of the stars, the only ones I cast were Billy Connolly and Pauline Collins. I was in Los Angeles working and a lot of this took place on the telephone. I'd met Maggie [Smith] once and I'd come back-stage, which I'm usually loathe to do because as an actor you don't want people coming back because you want to get home [laughs].

It just so happens that when I was, like, 19 or 20, I got a couple of auditions and got a couple parts with good people. Of the thousands of auditions where you don't get the part, I've done a couple of jobs where you do it and you're like, "Okay, this is good."

One of the reasons that I came forward and sort burned of my life to the ground, and I can't go back and see my family in the United States - I obviously lost my job, which I was quite comfortable with. I lost my home. It was because I felt there was no alternative.

I interviewed one of the most powerful lawyers in the world and he told me, "At the time, it was the worst thing in the world not to be able to get a job at a fancy law firm, but it's the greatest thing that ever happened in my life." It was a humble acknowledgment of how forces much larger than himself shaped his career. I really wanted to bring that point home.

There are far more good actors than there are jobs for them, so it's a big question of luck.

We all have an emotional home that we keep coming back to. Even if a foundationally angry or sad person has a good job and good family, they return to their emotional home, especially when experiencing life's inevitable setbacks.

We can change our wives,” he said. “We can change our jobs, our nationalities and even our religions, but we can never change our team.

Usually, I only get to work a few weeks on a movie, or I often don't make it to the end of the movie because I'm disposed of.

It was great and I had fun that day even though I was so sort of pleased when it was over to get through it. I didn't realize at the time that usually they screen test a number of actresses for the part, but they only tested me. So I think they knew then they wanted me to do it, and I wish they told me because I wouldn't have been so nervous. That was quite funny.

My parents loved me, and I think they realized that I was probably not going to have a normal 9-to-5 job. For the longest time, my dad thought that I was just going to be home until I was, like, 35, which, weirdly, is completely normal in Asian families.

Like your job. Love your wife.