Dolph Ziggler Quotes

You know when you throw a party, you think people will show up and no one will like each other. It's like that with music - parts of your musical psyche have never met other parts. You wonder if you should get them together.

I think it's hard to put a finger on my music. My music has always been an amalgamation of everything I listen to, which includes everything and anything under the sun. Hip-hop to country to R&B to pop, all the things I'm inspired by find a way into what I do.

Our palette is wide and eclectic. That's why we crank out a lot of different styles. To some people, it makes us seem disjointed or scattered. But when we play live, it makes sense to us.

I never fit in with straight country. I never really fit in with rock n' roll. I've always been somewhere in between all this stuff.

I like pop music, and I like really weird, strange stuff. It just didn't feel like there was anyone doing both.

I love all kinds of stuff. I really am so eclectic in my taste. I love film noir, I love thrillers, and I love big blockbuster popcorn cinema stuff, but I like it when it's twinged with a bit more social consciousness.

I grew up listening to a lot of very smart pop records by artists like Kate Bush, Talk Talk, Peter Gabriel, Prince, Depeche Mode, Tears for Fears, The The.

I feel my voice can fit in many things so it's very interesting to combine things and music styles.

'Take Me Apart' doesn't feel cohesive in a singular way but in a varied way. You can fixate on individual songs, and there are references from all over the place: Anita Baker to Bjork. I wanted to show all the facets of myself.

I love any TV show that has to do with singing.

I try to find influences in not only wrestling but all facets of entertainment.

Music is all starting to sound alike in the modern era. Afro-pop sounds exactly like L.A. pop - there's no difference, no ambience, no real resonance.

I think comparisons are very on the surface. If I sing, like, 'Park Bench People,' and there's kind of a social undertone, people will say I sound like Gil Scott-Heron. But for me, the more insightful comparison would be a Roberta Flack or Nina Simone - people who really mix different genres of music.

I think K-Pop is something that sucks people in because it's open. I can do pop, EDM, rock, R&B and it doesn't matter, K-Pop embraces them all.

At 16 I was living in the Congo, and, you know, it's your teenage time. I really wanted to find a way to express myself, so I started to write songs in the Congo, and I think that's why my music is quite open, with a lot of different influences.

Subconciously, the things you listen to and you believe in, those things are going to come out, you know what I mean? I think you take that and make it your sound; that's what I do when I'm putting together genres of music.

What I try to do is defy expectations in terms of boundaries, whether it is high or low art, pop culture, or fine-art culture. My work is about reconciling myriad cultural influences and bringing them into one picture.

Virginia Beach is just such a melting pot for so many different things, and they just have so many influences. I would always say that the area definitely influences Play Cloths. The area itself just has so many influences, whether it be fashion, music, everything.

Pop should be weird, and I realize as I say this that I'm not the weirdest person in the world. But if that means a girl sounding like Kylie Minogue and looking like Kurt Cobain, then so be it.

I've always been in rock bands. I was in a rock band with my brother in high school. Then I was playing classical guitar recitals, and people said, 'You know, you can't really do both things.' My intuition told me they were wrong. Somehow, what was interesting about me was that I had those two things in my life.

As always, my influences are diverse and not what you might expect from a 'heavy metal' artist.

My particular space has always been quite unique in popular music. I have a background in R&B and hard rock and straight pop, but I never went all the way with any of those genres.

I told all my punk friends, 'If I'm gonna do country music, I'm gonna milk it.'

It's very much to do with how I'm feeling ... I love to be experimental and use eclectic mismatched things and put them together to see what third entity is created! I'm not really frightened by experimenting - that's the main thing. I really like mixing very old beautiful pieces that are from thrift shops or that have some historical value with quite new futuristic things.

I think it's just a conglomerate of everybody's influences that comes out on the record, and live as well.