Pierre Corneille Quotes
Just vengeance does not call for punishment.
Corneille, Pierre. Cinna. 1641, Act I, Scene 2.
The President had earlier threatened to execute Confederate prisoners, if the South implemented its threat to execute any Union Negro soldiers they captured. The threat seems to have worked. See Lincoln.
This proverb only makes sense in the light of understanding the Arab concept of revenge—“blood.” In a rural desert environment where little can be expected of government, the Arabs have developed a law enforcement and peace keeping mechanism which while primitive from modern standards, nevertheless worked to some degree. It is that revenge—“blood” is a moral necessity and obligation of all people, and revenge is not limited by time or to the individuals involved in the first incidence. The immediate family are the first to exact revenge, but the extended family follows and often the entire clan. Sometimes revenge is tribal or even national. Anyone who fails to revenge a member in his group is not only a disgrace, but is a clear and present danger to the group because then they can be attacked with impunity. So revenge is a strong obligation of the group members and blood must be paid with blood no matter how many generations it may take. The only thing that keeps me and my family safe, is the surety what whosoever kills one of us will themselves be killed or if they die a natural death we will take revenge on one of the evildoers relatives and no one is exempt. Crime must never pay!
Corneille was born in Rouen, Normandy, France, to Marthe Le Pesant and Pierre Corneille, a distinguished lawyer. His younger brother, Thomas Corneille, also became a noted playwright. He was given a rigorous Jesuit education at the Collège de Bourbon (Lycée Pierre-Corneille since 1873) where acting on the stage was part of the training. At 18 he began to study law but his practical legal endeavours were largely unsuccessful. Corneille's father secured two magisterial posts for him with the Rouen department of Forests and Rivers. During his time with the department, he wrote his first play. It is unknown exactly when he wrote it, but the play, the comedy Mélite, surfaced when Corneille brought it to a group of traveling actors in 1629. The actors approved of the work and made it part of their repertoire. The play was a success in Paris and Corneille began writing plays on a regular basis. He moved to Paris in the same year and soon became one of the leading playwrights of the French stage. His early comedies, starting with Mélite, depart from the French farce tradition by reflecting the elevated language and manners of fashionable Parisian society. Corneille describes his variety of comedy as "une peinture de la conversation des honnêtes gens" ("a painting of the conversation of the gentry"). His first true tragedy is Médée, produced in 1635.
