Mary Catherine Bateson Quotes

I think jazz is a phenomenal creative force, because it's one man, one vote as you're playing, but it's a collective thing, what you're doing. You're listening to all the musicians around you and you're working within that structure.

Jazz is letting everybody do his or her thing with the music.

Any talk of 'craft' makes me laugh. My music looks outward; it does not gaze upon itself in admiration. Artisanal is for cheesemakers. I don't know anything about music theory. Every time I approach my guitar, it's like the first time. There's no craft in that.

I don't read music. I don't write it. So I wander around on the guitar until something starts to present itself.

People are always defining and re-defining music. My style of playing has been characterized as smooth jazz and acid jazz. I listen as I play; I'm not caught up in defining the type of music I play.

Jazz is about the only form of art existing today in which there is freedom of the individual without the loss of group contact.

The wonderful thing about Jazz is its willingness to take chances.

In fact, jazz has such a great feeling and great emotional content that it really doesn't require you to have technical understanding of it. I think you just have to allow your feelings to go with the music and you will find yourself carried along by it fairly quickly.

Allan had come down wanting to do some sort of crucial music and I'd been involved in so-called Art Music and wanted to explore other areas - we were approaching it in some quite tongue-in-cheek ways and we had a lot of fun - we spent more time laughing than playing music.

You're just sort of searching for this 'thing' and sometimes you get it and sometimes you don't. All music is imperfect, but in jazz since you're improvising, at least the way I play, I'm trying to follow my train of thought in a solo.

I like people that can strap on a guitar and don't sweat the fact that you have to come up with a song in an hour. I want to work with someone who won't feel like they have to play along with Jason Molina. I want them to just have the confidence.

The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.

I kind of make music where and when I can, and I guess that's why I collaborate so much.

The only element of jazz that I keep is improvisation.

There's a wonderful tradition of jazz people getting on stage and jamming and finding some feeling for music with audiences who may be fresh. For others, it might be just like a comfortable shirt they've been wearing.

We play melodic music, we play songs, we play all kinds of things and when you improvise you don't just shut out different languages, you use all the languages that you have.

And more than anything, I like the improvisation of jazz. That's the same thing with DJ-ing. There's so much improvisation you can do with cuttin' and scratchin' that's reminiscent of jazz music, because it's all about how you feel. You're capturing a vibe and just going with it.

There is no such thing as a wrong note.

I love to improvise when it's appropriate and encouraged by a producer.

I get a different kind of lyric from someone else that might make me go in a different musical direction.

Sometimes I think that I want to do something strictly basic, really simple. Just with a few chords. But I won't have anything more than two or three sentences in my head. That kind of evaporates once I start playing and then it goes off in whatever direction.

I think the best riffs and the best songs come when you're jamming and having a good time.

Maybe it's egocentric or whatever, but when I'm playing Beethoven, Bach, Hendrix, or whoever it is, in the end, it just feels like my own music and I'm making it up as I'm going along.

Music is your own experience, your own thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you there's a boundary line to music. But, man, there's no boundary line to art.

Jazz is the art of thinking out loud.