Kawhi Leonard Quotes

I learn from everybody on a film set.

I just enjoy collaborating. I think there is always something to be learned, and I think that one could never collaborate enough - that would be impossible. So I am always excited and honored when someone wants to work with me.

Collaboration is important not just because it's a better way to learn. The spirit of collaboration is penetrating every institution and all of our lives. So learning to collaborate is part of equipping yourself for effectiveness, problem solving, innovation and life-long learning in an ever-changing networked economy.

Every film you work on is different, and that's part of what it's like for anybody who works on a film, is to learn how to work with others. Learn from top to bottom. Actors have to learn how to work with the director and the director has to learn how to work with actors, and that's not just those two departments.

You can learn a little bit from everybody, so you should be able to work a bit with everybody.

Every makeup artist or stylist with whom I work has many special ideas, tips, and creations. I can always learn so much from them.

I'm a collaborator. I know I don't know everything. I don't want to know everything.

Filmmaking requires the participation and cooperation of many people. It's unrealistic to expect that you're not going to be challenged by unforeseeable forces from every direction.

Over the years, I've learnt from co-actors, directors, technicians, and even from junior artists.

When you need to innovate, you need collaboration.

As a filmmaker, I'm a collaborator first.

Collaboration and augmentation are the foundational principles of innovation.

There are no silos at 'Frontline.' Our digital team works with our filmmakers, and our filmmakers work with our digital team. They're always in touch, and they're always talking.

I'm lucky to be surrounded by incredibly talented people at Pixar, of course, and I learn a lot from them each and every day.

A lot of guys go into the NBA not being able to shoot the ball well, but then they become great shooters.

Filmmaking is teamwork.

It's never just about one player. Together, you have to figure out other ways to score and get opportunities.

All truly great shooters - Dale Ellis, Larry Bird, Craig Hodges, Chris Mullin - we always believed that we were the best shooters in the world.

I've been able to work with so many people, so I love asking advice from as many as possible.

When I work in a film like an actor, I do not interfere or try to use my seniority or impose anything on the filmmaker.

A lot of playcalls are for the corner 3. I thought that's something I should really work on.

You don't get the ball and dribble; you get it and move it.

The point is that filmmaking is a collaborative effort; it isn't about imposing your vision on other people. It's about the talking, you know?

There are things to love about filmmaking in Greece. People are generous: If you get along well with others, the people around you will give more than they might otherwise be willing to give, more than they're supposed to.

There's so many different styles to it. I use my athletic ability to create shots for open people, I run the floor, then also space the floor as well. That's what I try to do.