Cullen Bunn Quotes

It's funny: over time, if you're fortunate, you build a nice career, and you have these interesting moments, and I would not, looking back, trade any of them - 'Red Tails,' '12 Years a Slave' and 'Undercover Brother.'

I believe everything creative is somewhat collaborative. If you're a painter and someone stretches your canvas, it was collaborative on some level.

I have had such a satisfying career; I've gotten to do so many amazing things as an artist.

If I can do quality work with wonderful writers and directors and producers... that's the cherry on top.

As a creative, as an artist, I'm just excited when people want my stuff, and want to experience it.

If I'm talking to a photographer, I'm talking to a stylist, I'm talking to a makeup artist, we're kind of creating and collaborating and making something that is artwork and is special and is different.

I had a wonderful and very successful career in New York and had the privilege of working with some of the best editors and publishers in the business.

I do paint, and I wanted to actually be a painter. Sometimes I'll whip out paints. It's tough to find the motivation, but it's also a solitary, lonely occupation. What I like about acting is that it is such a collaborative thing.

There's a wonderful stable of directors I've worked with, and work I've done that has dignity and meaningfulness.

Working with other artists and sharing your passions is great.

I was excited by what my painter friends were doing, and they seemed to be interested in our poetry too, and that was a wonderful little, fizzy sort of world.

The decision to use only the name Christo was made deliberately when we were young because it is difficult for one artist to get established and we wanted to put all the chances on our side.

I only want to work with interesting filmmakers.

Alan is a great guy, a terrific guy. We haven't worked together since then, and he's always working with different artists. I think he sees different dimensions he can see from different guys.

I actually like the collaboration of working with different artists.

Magicians are typically introverted; they don't tend to work with others, but I work with software programmers, composers, designers, so it's a very diverse group and the result is always more interesting than something I could have done by myself.

I was lucky that audiences in Mexico liked my work. I was even luckier when I got to do movies and plays with my brothers.

Career-wise, I feel very lucky to have always been able to follow my creative path.

I would love to work with Tim Burton. I think we would be very good together.

Some of the best art in the world is collaborative, a mix of voices that are stronger together than separate. Take the Beatles, for example. Or every great movie ever made. We like to say they're the director's vision, but really, they're huge collaborations between directors, writers, actors, even producers.

My whole career - I have been really lucky.

My bar for being successful is being able to do movies that really mean something to me and being able to make a living off of that.

Well, I worked with lots of different artists, of course.

To work with Ken Branagh was amazing; it was always a dream of mine to work with a man as creative and talented as that.

I'm drawn to people rather than mediums - directors, writers, actors.