Solange Knowles Quotes

Sometimes I wish I had taken the Bob Dylan route and sang songs where my voice would not go out on me every night, so I could have a career if I wanted.

Singing and playing live can be difficult. Like, in the studio, I would record either the music track first or the vocal first. I don't necessarily do them together.

Some people can sit down and write a song, but they can't go on stage like I can.

In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have. It was a case of pulling whatever resources I had to get the sound I wanted, but that doesn't take anything away from the authorship. They are songs written by me that sound the way I want them to sound. Whether it's my voice or someone else's doesn't make a difference to the music.

New songs are why artists go on the road. That's why I go on the road. It's a three-prong play. Writing: You're intrigued. Recording: It brings it to life. And then you want to share it.

I like the process of writing songs. It makes me feel good.

When you go on tour and see everyone, you're like, "Oh my god. This is actually real life." That inspires me to write more songs.

I was just fooling around with the piano and Todd [Phillips] was like, 'Hey there's a great spot in the movie [The Hangover] where we need a little bit of a breath in the narrative. You should write a song and stick it in there.' And I was like, 'Well, what should the song be about?' And he said, 'The tiger.' 'Oh, okay.' So I went off and I wrote this song. I came back and Todd and I tinkered with it a little more and then we shot it right then. It all happened in a day.

I'm always making music. I'm constantly making little musical recordings on my phone or on a little voice recorder I carry with me so I can remember these little pieces of music that eventually becomes songs.

I can write a song in the back of the bus, where I am right now, or in my living room, and I can perform it that night and have an instant reciprocal exchange - an emotional, impactful exchange - and it's a less technical medium. It's a pure expression from my soul to other souls.

I would say the songs that have different lyrics. I always write the music first, and there's a couple of songs on this box set that have different lyrics from what ended up on the final recording.

It's always amazing seeing the song-writing process. A song just starts off as just an idea or a story you want to tell. It keeps building and building when you add the lyrics, the instruments, the vocals until you finally reach the finished song other people can enjoy.

I've been writing music since I was about eight. I would write sporadically. I wrote a lot of music in high school. I guess the oldest song on the record ("I Thought I Saw Your Face") is about eight years old. It's the old "I had my whole life to write my first album and six months to write the second one." I did, to some degree, but actually, a lot of the songs that ended up on the record, I wrote really recently. So it varies.

I knew I had to have a hit. I would get no more chances. Analyzing what they had in common I discovered they had many similar elements: harmonic rhythm, placement of the chord changes, choice of harmonic progressions, similar instrumentation, vocal phrases, drum fills, content, even the timbre of the lead solo voice. I decided to write a song that incorporated all these elements in one record.

When I used to write songs, especially on my own, it was just me and a guitar.

I write my own lyrics completely on my own. Sometimes I have people helping me with concepts or like choruses and stuff sometimes, but mostly I write all my own songs by myself, especially the verses and a lot of the choruses.

Nothing makes me happier than writing a song that I think is good or that I want to play. Writing songs helps me.

The focus of my playing is the groove, and every time I find a new rhythm, I find I can write a bunch of new songs. Learning how to dance, or drum, or to swing my body in a new way is the fundamental way I find a new riff. Because when you learn to swing your body in a new way, you begin to swing with your instrument differently.

I love to play music, and this is fun, and let's record this stuff in a way that we both like. That was exciting enough, so we just recorded it. There was no business in it until the very last minute, really. It was really as much of an extension of me writing the songs in my bedroom as it could possibly be.

It's rather mystifying when you think about writing songs - where they come from, and how they're born.

Songwriting is never one thing. I've spent as long as three months writing a song. Other times I've done it in twenty minutes.

I think my favorite medium is music, with my main tools being my voice and a guitar. But I do find every other medium extremely fulfilling and useful in helping everything I do. Sometimes I need to make a song just for a comic. All of the art and mediums are connected for me.

It's good when someone says, "Would you write a song for this purpose," or "would you record a song for this purpose," or "would you help me realize this song," again, for this purpose.

Every time I write a song it feels like it could be the last one I do, or it always feels like a fluke.

You take all the time to write a song: you have to let it ooze on out by its natural self and that is pretty time consuming. Then you teach it to the band so everybody gets all the parts. Then you rehearse it and road test it, and all that. Then you get to the studio and there is a new guy in the band who calls himself the producer, right? Huh. He either makes it or breaks it usually before nightfall.