I don't know if it's a sign of all the chaos that is happening out there or not, but I've lately craved the structure and order of classical music, the balance and symmetry.
I realize that R&B is what I do best, and I'm comfortable with that.
I've never known a musician who regretted being one. Whatever deceptions life may have in store for you, music itself is not going to let you down.
When you're fat and comfortable, your music is going to sound fat and comfortable.
You have a natural groove inside of you, but the more you practise, the more comfortable you will be with your instrument.
There's a wonderful tradition of jazz people getting on stage and jamming and finding some feeling for music with audiences who may be fresh. For others, it might be just like a comfortable shirt they've been wearing.
I'm nervous, but once I get a guitar on and start a song, after the first few seconds, I can feel it ease. I don't have to worry about anything other than the music.
I want to release music that I like and feel comfortable with.
We all drew on the comfort which is given out by the major works of Mozart, which is as real and material as the warmth given up by a glass of brandy.
Blues is a tonic for whatever ails you. I could play the blues and then not be blue anymore.
The one thing that kept our family together was the music. The only thing that our family would share emotionally was to have our dad cry over something the kids did with music.
In certain ways I still feel like I'm finding my way. I feel pretty comfortable playing acoustic guitar and singing, but then I feel pretty good sitting on a reggae groove as well.
Some of us are born with a weakness for music. As a baby, music would stop whatever thought I was having. If I was worried, it would stop me worrying; if I was crying, it would stop me crying. Music was a healing thing for me.
Lots of these songs I hadn't performed, but I've always wanted to. These are songs that I wanted to get in my wheelhouse. I sang them over and over and over and over again. Of course, I've fallen in love with them all.
There is nothing like a Bach fugue to remove me from a discordant moment... only Bach hold up fresh and strong after repeated playing. I can always return to Bach when the other records weary me.
When you do a song new live on stage, it's kind of a bit weird until it gets worn in, you know, like oiled up a bit. It's still a little bit stiff until you really thrashed at it for a few weeks.
I feel pretty comfortable in a lot of different musical styles. I like rhythm, and I like melody and so forth.
Let echo, too, perform her part, Prolonging every note with art; And in a low expiring strain, Play all the comfort o'er again.
My school life was very much a wandering experience. I was having trouble in school and I was not making a lot of friends. So coming home and actually improvising on the piano and just coming up with melodies was an escape for me.
When I grew up, what was interesting for me was that music was color and life was gray. So music for me has always been more than entertainment.
I don't think I'm getting better, quote unquote, as a singer or guitar player. But I'm more comfortable in this particular space. I get better at being a bad singer, so to speak.
I was focusing on sax while at Berklee, but then I started to play Brazilian choro and Colombian music. I was doing more folkloric stuff on the clarinet because it works better. Finally, I realized I was working more on the clarinet than the saxophone, and I started to feel more comfortable on it.
One nightingale in an interfluous wood Satiate the hungry dark with melody.
I pretty much use the same stuff live that I use in the studio. I don't like the feel to change too much.
I'm comfortable singing jazz. The only thing I was concerned about is that everybody, even in jazz, has their own style. To me, the queen of doodling was Ella Fitzgerald, and scatting is something I never thought I could do.
