Tom Felton Quotes

Some people work very closely with a director or a producer on something, and from the get go, they're collaborating. But typically, it's just go in for an audition, do the best you can, and if the phone rings a couple of days after the audition and you get the part, that's great.

I remember working on movies like Gettysburg and feeling that Jeff Daniels was kind of a mentor.

Jerry Weintraub, the producer, might be a pain in the ass, but he really knows how to treat his actors.

With directing, you always have three or four things constantly on the go. It's a tough industry and a tough time, particularly if you're doing things a little outside the box or independent features.

I love working with the Farrelly brothers. I'm a big fan and feel very lucky to have gotten to work with them a few times. One thing that I learned while working with them is that you have to keep your cell phone off when filming scenes, or you owe them a lot of money!

Whenever I'm offered something, I always read the script and meet the director. I still appreciate just being considered.

Yes, I would love to play one of the leads in one these movies and have all those challenges and deal with all those complications, but the business being what it is, there is a slot for me in these kinds of films, so I enjoy them, and I enjoy the people that I work with.

I had a really good time working with Jim Cameron. A lot of people didn't, but I did as I got on with him really quite well. For a director who spends most of his time looking down a lens or in the digitisation studio or working out some graphics, he is actually very good with actors.

Every film teaches you something; every experience on every film set with every co-star teaches you something. You learn something new. I think the challenge is to keep working harder and doing better.

I did 'Gangs of New York' with Martin Scorsese, and they used to call me 'Little Joe Pesci' on the set.

There are lots of good directors I would like to work with; I want to be inspired and challenged by them.

I did a film a long time ago with a shaved head and I had the ugliest looking head in the world.

'North by Northwest' took two and a half to three months to film. When I look back, I realise I wasn't intimidated by Hitchcock and Cary Grant. They were so accepting of me.

I have to say, when you make a movie, you really have no idea how it's going to turn out as an actor. The important bit for an actor is the actual shooting of it because the minute the shoot ends, it's got nothing to do with you anymore.

I get to be in a room with other actors, but I never, or very rarely, get the chance to be in a room with another director.

It's always nice to work with repeat actors.

There are so many directors, young and old, around - all doing their thing and struggling.

I have been fortunate that 'Pink' has been that film which gave my career a push. I owe a lot to Shoojit Sircar for having faith in me and my co-stars Taapsee Pannu and Amitabh Bachchan sir.

In chatting to directors over the years, including James Wan, they always tell you the war stories. No one ever says, 'Oh, I had a great time on that film.' It's always this went wrong, that went wrong.

I'm a huge fan of Zach's [Galifianakis] and I auditioned Zach a million years ago on a movie called Duplex which I was fired from. But Zach came in - It was like 2000, maybe - as a buddy stand-up that people were starting to notice and there was something about him I loved. He wasn't quite right for the part in [Keeping Up with the Joneses] and I got fired anyway, so who cares? But I always wanted to work with Zach.

For me, they definitely made it more challenging. The comfort zone factor really kicked in between Leo and I, and I just think that's because we know each other so well. We've known each other since we were 20-years-old.

I'm always happy to talk to somebody; it's flattering that people remember your movies. Especially some movie that you did, for Christ's sake, almost 35 years ago, or what's especially pleasant is if you're talking about some movie that you did 35 years ago and they're 20 years old.

I've been acting for many years now, and I find there's nothing I enjoy more than making films with my friends and people I like, who also are the funniest people around.

I'm never critical or judgmental about whether or not a movie is any good. The way I look at it, if several hundred people got together every day for a year or so - a number of then willing to put on heavy makeup, wear clothes that weren't their own and pretend to be people other than themselves - and their whole purpose for doing all this was to entertain me, then I'm not gonna start worrying about whether or not they did a good job. The effort alone was enough to make me happy.

I spent a lot of time with both [Laurence Fishburn and Keanu Reeves], obviously, on the Matrix trilogy. Worked a lot, on a day-to-day level, with Laurence Fishburne. And then we'd bumped into each other through the film community for years and years.