Tom King Quotes

The 'Doom' thing is to be able to come at things with a different point of view. I decided the mask would just add to the mystique of the character as well as make Doom stand out. I though it'd be an easy way for people to see and differentiate between characters, sorta like when an actor gains weight for a role.

The Tracy Morgan you see is the Tracy Morgan in real life. He's a great guy but... man, is he a nut.

Costume, hair and makeup can tell you instantly, or at least give you a larger perception of who a character is. It's the first impression that you have of the character before they open their mouth, so it really does establish who they are.

I have no style. There are certain people who just have a visual sense that defines their work. You could probably watch 30 seconds of anything they do and you'll know exactly who directed it. I don't have that skill.

I wear glasses and suits, so I guess I am an indie artist.

There's a reason for Art Garfunkel's oddly shaped hair. It hides a very big brain.

I haven't made many wedding dresses. It's a dress very, very important for the girl; it's important to know the person, I believe, but at the same time it should be a shock to the person - the person should be shocked to be suddenly revealed. That's the work of a designer sometimes, to propose an ID of look.

Some of my favourite record and album covers and stuff have all been the singer, and they create a character, and they dress up a little bit.

When you start performing, you realize that you have to separate yourself from the pack. So I would never wear bell-bottoms, which everybody else was wearing. I had short hair - and to see a 21-year-old guy walk onstage without longish hair was, in itself, weird. Every entertainer needs a shtick.

I don't think I've played a lot of crazy people.

I, Lesley, I like looking nice. I like doing my hair and wearing makeup and wearing nice clothes. But I don't care what my characters look like.

I look crazy. I know I do. Been true since I was a kid!

I'm like a bunch of college guys who got together and said, 'Let's make a dude, a crazy dude'.

Creating a character is about what they look like. The look speaks volume to the audience.

Every film deserves its own unique look.

Everybody has a Bill Murray story. He just punishes people for reasons they can't figure out.

I'm a one-uniform kind of person; I like to establish the look of a character and just stick with that - like a cartoon.

Rooney Mara is someone I'd like to dress; we've not worked with her before and she certainly has very interesting personal style.

Kane dons the mask because he is horribly disfigured, unstable, mentally insane and crazy, so I thought it would basically look like he had escaped from an institution. Then, I get the creative for the costume, and it looked like a superhero.

Visually, my trademarks have always been my glasses and hair.

We were going for an otherworldly feel, you know a lot of people tell us we look like aliens anyway. I don't know if it's just because there's two of us and we have big eyes and long necks.

I know it sounds so dumb, but when you've had pink hair for 12 years and take that away, you're looked at in a different light.

While I've been well-known for trying to keep my fictional characters individual in their looks, it's an even greater challenge not only to make them individual but also identifiable.

It's important to have a good sense of style that sets you apart, so you're not just forgotten after somebody meets you.

I stand out because I'm usually the first to create a trend or make an existing trend unique in my own way. Plus I look and sound different then most people on the Internet and have the most recognizable lips in cyberspace.