Kristen Bell Quotes

If the actor believes in the moment, the audience believes in it, too.

If the audience sees and feels things are real, then they buy it.

We are Disney, in a sense. When you've been there for 20 years, there's a certain heart and soul to one of those films, and you inhabit that to a certain degree. So if it feels true to you, then your audience will hopefully go for it.

When you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.

To be an actor is to be ambiguous in every form, which is a very hard way to live. You represent desire: the desire of the director and the desire of the audience, even if it's a subconscious desire. If a director is to work with you for two months, he must be in love with you in some way or another.

As an audience member, if I go to a film, and I am watching two actors, and they're kissing, and it looks like they don't even want to be kissing, it just takes me out of the film.

Being an actor in movies is a lot about the power of your imagination and making the circumstance real to you so the audience will feel that it's real.

One thing I think is really important is chemistry, and if actors have chemistry, audiences will pick up on that. Audiences will root for characters that don't even exist as a couple because the actors' chemistry is so strong.

I hate acting when I see it. I don't want to feel it, I don't want to see it, I want to be taken away with the story - I don't want the actor's ego in front of me. That's what I try to live when I do the work.

Neither Elizabeth or I are keen to do a real-life couple on the screen. It's not very electric.

Actors have to make you believe that it's happening for the first time and all that jazz and make it human and at the same time entertain you.

My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life.

You don't want to play a character you can't inhabit or commit to fully.

You always hope that people will fall in love with the characters you play, the way you do yourself.

I've starred in many melodramas, but the reason 'Something in the Rain' is so special to me is that I feel like I'm living in reality.

I no longer wanted to satisfy myself. I really want to connect with the world and make my music mean something to people.

It is only when you open your veins and bleed onto the page a little that you establish contact with your reader. If you do not believe in the characters or the story you are doing at that moment with all your mind, strength, and will, if you don't feel joy and excitement while writing it, then you're wasting good white paper, even if it sells, because there are other ways in which a writer can bring in the rent money besides writing bad or phony stories.

Good cinema is what we can believe and bad cinema is what we can't believe. What you see and believe in is very much what I'm interested in.

I'm a big believer in you make your argument to everybody, and you do it in a way that is real and very candid. Even if people don't agree with you, they appreciate that you're telling them what you believe and they know that you care about them. That's I think a very important part of it that sometimes gets missed, is that people will be OK with you saying something they're not totally on-board with as long as they know that you believe it because you want to help them. That means you've got to care about everybody.

When I sing, I believe. I'm honest. If you want to get an audience with you, there's only one way. You have to reach out to them with total honesty and humility.

I know when I watch a film at this point, if I completely lose myself in the characters and the story and the world of the film I know that it's at least in my opinion, that was great. Otherwise I'm thinking: "Oh I know they were just doing A, B and C, right before they walked into the scene, then the camera was there, then they probably took the shot from this reverse close-up and moved it into this." When all of that drops away then I'm like: "Okay this was phenomenal, this was fantastic." I mean, any film or TV performance in general is probably good.

I just try to be true to myself and write about things I'm passionate about. I think what most people don't like about movies is they can tell that most movies are a product, and they don't mean that much to the people who make them.

Humility does not mean believing oneself to be inferior, but to be freed from self-importance. It is a state of natural simplicity which is in harmony with our true nature and allows us to taste the freshness of the present moment.

I don't think I would ever write a book with what anybody could call pornography in it, because I feel that pornography is a cheat. It is an attempt to provide sexual experience by secondhand means. Now sex is a thing which has to be experienced firsthand, if you are really going to understand it, and pornography is rather like trying to find out about a Beethoven symphony by having somebody tell you about it and perhaps hum a few bars. It's not the same thing. Sex is primarily a question of relationships. Pornography is a do-it-yourself kit--a twenty-second best.

My needs were simple I didn't bother much with themes or felicitous phrases and skipped fine descriptions of weather, landscapes and interiors. I wanted characters I could believe in, and I wanted to be made curious about what was to happen to them. Generally, I preferred people to be falling in and out of love, but I didn't mind so much if they tried their hand at something else. It was vulgar to want it, but I liked someone to say 'Marry me' by the end.