Paul Gallico Quotes

I just try to be true to myself and write about things I'm passionate about. I think what most people don't like about movies is they can tell that most movies are a product, and they don't mean that much to the people who make them.

I don't consciously try to take my readers on a journey as I don't really think about my readers when I'm writing. I just try to write what I feel passionately about, to tell a story down onto the page.

If I'm not invested emotionally, the artwork doesn't feel emotional.

I would say if you want to write, write what you care about. I think that's the most important thing. I think if you write what you care about, you stand a better chance of having the reader care about your story.

You never write down to the people - you write the best you can with the hope that someone else will feel the same way.

If you're making music for all the right reasons, people are going to be receptive to that and appreciate it the same way you did when your were writing it.

If you make something from your heart, of course you want it to connect with the people.

You can write anything you want to,--a six-act blank verse, symbolic tragedy or a vulgar short, short story. Just so that you write it with honesty and gusto, and do not try to make somebody believe that you are smarter than you are. What's the use? You can never be smarter than you are.

Man, that's the only kind of book I like – one that's so real you want to find out everything there is to know about the person who wrote it, like how tall he is and what kind of music he likes and whether or not he really went through all the stuff he was writing about.

The only reason to write is from love.

It is only when you open your veins and bleed onto the page a little that you establish contact with your reader.

The best books come from someplace deep inside.... Become emotionally involved. If you don't care about your characters, your readers won't either.

Whether you're writing a book or a song or whatever, you've got to be involved in it. It's got to come from the heart I think...that's what it's all about.

I have been writing my heart out all my life, but only getting a living out of it now.... ... it's not a question of the merit of art, but a question of spontaneity and sincerity and joy I say. I would like everybody in the world to tell his full life confession and tell it his own way and then we'd have something to read in our old age.

Writing is too hard not to do exactly what you want to do. It's a very draining and agonizing process for me, and I don't want to live with any piece of work that I don't believe in completely. I have to believe completely in what I'm doing. It has grown organically out of my own experience.

I've always been drawn to the best writing that I can find. I don't care if it's in movies or theater or whatever - if you want to be in front of an audience, you have to do writing you believe in.

You know when somebody really knows what they're drawing from and you can feel it when you see the movie.

The two important facts I should say, are emotion, and then words arising from emotion. I don't think you can write in an emotionless way. If you attempt it, the result is artificial. I don't like that kind of writing. I think that if a poem is really great, you should think of it as having written itself despite the author. It should flow.

When I hear my favorite songwriters write about things they clearly have not experienced, like "Isis" by Bob Dylan or a lot of Bruce Springsteen songs or something like that, I'm always like, "Man, how do I tap into that?" Every time I tried to do something that wasn't autobiographical I felt pretty phony.

The writer has to make pleasure for the reader - which, I think, is done by taking one's character's seriously and taking one's readers seriously -don't condescend or try to be tricky. Be a friend to your reader - I'd say that's a pretty good first step.

God preserve us from writers who regurgitate what they have learnt from books! It is people's secrets we want to know - it is the natural history of the human heart that we have been trying to put down for a thousand years and everyone must and can leave their contribution.

A writer is dear and necessary for us only in the measure of which he reveals to us the inner workings of his very soul.

Why should I believe any of this?' It happens that fast. I say, because I think I like you. Marla says, 'Not love?' This is a cheesy enough moment, I say. Don't push it.

When I'm writing music, I'm not acting it out - it's all me. I feel that my responsibility is to be truthful about myself, first and foremost. I'm not going to sing things I don't believe in no matter who is benefitting from it.

It is more important to just be as honest as I can about my characters than to write some really great sentence.