Zach Braff Quotes

What I like doing is writing and recording and much more on the, I guess, the - on that creative level. It's fun interpreting songs and all that, but I wouldn't like it as a living.

Acting is fun. It's not my whole life. It's not my entire being. It's secondary to my life. My life is primary. I'm running in the primary, as you know.

I just got a new manager. He's like, "So what do you want to do with the deejay thing?" I'm like, "The deejay thing for me is more my hobby." It's great when you can supplement your income, when you have a weekly or something, it's fun. It's really a hobby, because I don't want it to take away from what I do, which is emceeing.

I'm a songwriter. My voice just serves what I'm writing about. So to let all that go, I mean, bring the sensibilities of it actually to the song choices, but to just be the interpreter was incredibly liberating and really fun.

I've got a lot of songs about having fun and partying, but it's a lot of work. Sometimes, I make 50 songs and pick out the best 10. I've been in the studio all day, all night, making the beat, writing the raps.

I love to play music, and this is fun, and let's record this stuff in a way that we both like. That was exciting enough, so we just recorded it. There was no business in it until the very last minute, really. It was really as much of an extension of me writing the songs in my bedroom as it could possibly be.

I always believe that every song tells a story, so the last thing I want to do is edit out like the meat of the story. I would pick songs based off a), whether I felt like I could do anything with them, and b) whether I felt like I could keep the story intact. And then you sit in with one of the piano players and one of the vocal coaches and kind of work out your arrangements that way.

I grew up with so many different songs that the ones that are fun to play are the ones I want to do.

I love worldbuilding. It's as much fun for me as writing itself. It's like a hobby of mine.

I just do as many songs as I can and then I put it together when I get sort of in the middle, maybe 30 songs, that's when I start really thinking about the name of the cd and what direction all the songs are going, that kind of stuff. But I don't ever want to corner myself, I just want to be able to express whatever I can express in songs and just pick after that.

When I was first writing, I used to sit at the piano and play songs - I'd write one or two a night. It was my hobby. At some point, it then became a process that was mainly done within the context of the studio, and writing became part of the recording process.

Back then all I cared about was rhyming and making beats. That was my trade, my hobby.

It's important to tell the artist's story. It's their song! And it's always more fun to write together with the artist!

I think the suggestion that all my songs are personal is insulting because that assumes that I have a bunch of issues that I feel the need to unload on strangers. That is not the case. It also assumes that I just talk about myself the whole time which, again, is not true.

It's always fun to do something that you know ultimately is not about the money, and it's certainly not for the fame - because it's a pain in the ass. But it's really the person in the theater seat you think about when you sit in a room and write.

It's cool that you hear something, but what did you feel and what was your tactile and kinesthetic response to it? Those songs and creative sessions mean the most.

I like to design my clothes; I design my jewelry, yeah. It's fun.

Sometimes you write a song in a certain era and it's got a certain kind of significance.

To create an album of 12 songs, I've got to write about 80 songs. Half of those are totally weird and rubbish.

I'm always interested in hearing how other people read and react to my songs. I hadn't thought of it in just that way. One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs. But I also feel like it's the right of the people hearing them to have their own interpretations of what these songs mean. Sometimes people will see things that I don't see.

Most of the really good songs are dead true. ... It had to have happened to have the song be there. Every time I've tried to make stuff up it just kind of falls flat. So the majority of my work is something that happened to me, I saw happen to someone else, or a friend of mine told me happened. There is a certain amount of theatrical and poetic license. People are supposed to like it, that's why you're doing it. It's supposed to be fun. It's not brain surgery, it's heart surgery. They're just songs.

I have enjoyed writing songs for so long... it felt like in order to make music that I could relate to myself, I would have to be a part of the writing process.

Every song has a different genesis, or feeling. Usually the lyrics, I don't really know what it's all about, I just kinda do it. I mean, there's a combination of, like you're saying, that kind of lyrics about commitment or vaguely relationship lyrics mixed with jokey 90s Beck-style non-sequiturs and stuff.

The time I like listening to music most on headphones is, I have a game I play with my brother, he's a musician as well.And he sends me MIDI files of keyboard pieces. So, these are pieces where I just get a MIDI file; I don't know what instrument he was playing them on; I know nothing about his section of the sound of the piece, and then when I'm sitting on trains I do a lot of train travel I turn them into pieces of music. And I love to do that; it's my favorite hobby.

Songs are kind of alive, I think; once you finish writing them, that doesn't mean that that's it for the song. It can have its own little life, I think.