Ed Sheeran Quotes

The whole thing about playlists is what song comes next.

I've always cared about how certain songs fade into other ones and which songs should follow others. I studied that as a consumer and fan before I even got into music.

Cause when you're sequencing a record, you want the listener to stick with it from beginning to end, and in order to do that, you really have to map out the journey from the first song to the last.

I like records that flow really well and you don't have to skip around because there's lot of different jumps.

I've waited for the day my debut album is released my entire life, so naturally I've designed it to be listened to from start to finish - so every song flows into each other in a way that tells a sonic story.

I don't think comic timing is the same as music timing, but I definitely find that I've learned from just writing in general that songs can be narrative without having a story.

I got hit up for a tampon commercial and so I asked [JD and Jo] if they had anything. Jo sent that over and I was like, "I love this track. Oh my god. It's so upbeat. It's so positive. It would be so great for a tampon commercial." That commercial never came through, so then I just had it. I was like, "That would be great for a Hillary [Clinton] song." I think it's so funny that it could be a tampon commercial.

I think being a singer-songwriter... your job is to tell a story that other people can't really tell themselves. And I really hope that people kinda go: "This happened once and I kind of like this song because I relate to it..." So if at least one of my songs over this tour's that song, then that's really cool.

I've turned down songs that would be much easier to play on the radio that I don't think should be on the album. Maybe I've shot myself in the foot.

Don't think. The worst songs I've ever written happen when I think.

Guy Picciotto had a really sound point: Live albums basically have bands playing songs that are available on studio records, and what example can you think of where the live album is better? What are the great live albums? I have live albums of bands, but I wouldn't listen to them for the most part. So we thought, instead of spending energy trying to puzzle out how to create a live record, let's just write another studio record.

Have you ever heard somebody sing some lyrics that you've never sung before, and you realize you've never sung the right words in that song? You hear them and all of a sudden you say to yourself, 'Life in the Fast Lane?' That's what they're saying right there? You think, 'why have I been singing 'wipe in the vaseline?' how many people have heard me sing 'wipe in the vaseline?' I am an idiot.

I think great songs can come from anywhere and you constantly have to be able to look out for those. I think a lot of the times people will try too hard to write everything themselves and therefor miss out on great songs that way.

John Farrar, my dear friend and songwriter/producer of most of my hits (he wrote "You're The One That I Want" and "Hopelessly Devoted to You," among others), wrote the song ["I Think You Might Like It"] and it captures so much fun and joy! Having that reunion as well, with John and John - made the project even more special!

Every artist wants some sort of feedback, because you make this music and you hope people love it and you want to hear if they love it and what they love about it, what their favorite song is, what they think the next single should be. I like to hear those things.

As soon as that little "ba-da-da-dink-dink" at the beginning of "Under the Sea" starts I think to myself: "Here we go! Let's do it!" When I first got the role, I was very intimidated because people have high expectations. But I have nothing to prove only to share. I'll do my best interpretation of what these songs should sound like in their current incarnations and it's quite an honor.

You can change your emotion immediately .. by thinking of something joyful, or singing a song, or remembering a happy experience.

I think there is a very subtle shift from the metal I grew up on to Weezer. I think the big shift was from a minor key to a major key. That made a huge difference in how it was perceived.

A song can be a song where somebody thinks you're crazy. A song that gets released has got to be something that everyone can relate to. Most of the songs that I keep are un-relateable for most people - some of the music I make only for myself and the homies.

We just met for the first time and David Byrne was like, "Hey, you want to sing on this song?" and I was like, "Yes, I do want to sing on that song." He's the most legendary dude but I wasn't thinking about how he was a legend when rehearsing. I was just thinking, "Wow, this guy really knows what he wants in his music." And that ended up being the vibe, like "Oh, you wanna try that?" "Yeah, that sounds great!"

We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang.

I don't like hearing Beatles songs in commercials. It almost renders them useless. I think, 'Oh God, another one bites the dust.'

I have my own tastes and I have my my own... like, I dunno. I think it's really subjective; something that I think is a great song, is unlistenable to somebody else, which I've come to realise.

There are certain songs that if people come up to me and tell me how much that song meant to them, I think, You should have better taste, then, because I don't really like that song.