If you listen to the radio for a whole hour there's maybe one decent song. The rest is mass-produced garbage
Ninety percent of my thoughts are, "How will this work on the radio?"
I have always loved radio as a medium.
To be successful in talk radio, you have to have a conservative audience as well. Not enough liberals listen to it.
I was a radio presenter in Dubai for five years.
Radio has always been just disgusting.
Radio stations provided a service. They weeded out the stuff that no one should ever have to even think about. Now, they made mistakes and they made mistakes with me even but, by and large, they provided a service. They were an editor.
The college stations have a big voice, and I would like to become more involved with them. I would like to have symposiums with the members of various college radio stations.
On Sirius, I can find anything I want. They have about four or five different metal channels, rock channels; there's a whole Elvis channel.
I started in radio.
With radio, the listener absorbs everything.
Where radio is different than fiction is that even mediocre fiction needs purpose, a driving question.
Our aim was to be playable on both AM and FM radio - something no one had done in a while.
I was lucky enough to grow up in an era when radio was less formatted. It was really special. You could hear a jazz song then a pop song then a show tune then some jazz. Basically, whatever the DJ felt like playing, he would play. He was educating you and exposing you to things you would never hear otherwise.
I started in radio, again accidentally. I wasn't looking for this kind of work at all.
It was always meant to ease out of a big radio song and flow into the next one. Don't is the bridge song in between Sing and Thinking Out Loud.
I never watch TV. I'm a Radio Four addict. I love listening to music too.
I'd like to do radio just like pictures - leave the imperfect stuff on the cutting-room floor.
I listen to Radio 4 all the time. I didn't go to university, so that's my further education.
I have a 6-year-old, and his thing is to turn on Radio Disney in the car, and I get such an allergic reaction to listening to that music and the context into which it falls. I'm really working on him about that.
I got to know every format of every station and who was on and what time.
In August of 1921, one of the great American combinations was unveiled—even better than the peanut butter and jelly sandwich. This fortuitous new blend was radio and baseball.
I was in Washington, D.C., on the morning show, by the time I was 18, programming a station by 19, No. 1 in the mornings. I think I was making, I don't know, a quarter of a million dollars by the time I was 25.
Ray and I both grew up with radio. Our whole hopes for the future were that we'd get into radio.
Radio for years and years looked at the same pool of talent. I always believed there were other people in the world that could do radio shows.
