Alberto Moravia Quotes
It is what we are forced to do that forms our character, not what we do of our own free will.
Moravia, Alberto. The Conformist. Translated by Angus Davidson, Farrar, Straus and Young, 1951.
As hard as it is for us to imagine today, while her husband was President of the United States, the First Lady wrote a nationally syndicated newspaper column every single day with politics frequently the subject. While she usually agreed with the President, there were occasions where they seemed to not see things exactly the same. She tended to be more liberal than he. However, there were those who believed that when she criticized politicians, it was with FDR’s knowledge and blessing and she sometimes did his “dirty work.” Eleanor Roosevelt was one of the most influential people in the country—certainly more-so than any First Lady before and since.
L. P. Jacks. This lecture was given well before the development of the atomic bomb, after which many politicians and intellectual leaders picked up on this theme. Then each generation since has echoed it.
Alberto Moravia was an Italian novelist and journalist. His novels explored matters of modern sexuality, social alienation and existentialism. Moravia is best known for his debut novel Gli indifferenti (1929) and for the anti-fascist novel Il Conformista (The Conformist), the basis for the film The Conformist (1970) directed by Bernardo Bertolucci. Other novels of his adapted for the cinema are Agostino, filmed with the same title by Mauro Bolognini in 1962; Il disprezzo (A Ghost at Noon or Contempt), filmed by Jean-Luc Godard as Le Mépris (Contempt 1963); La Noia (Boredom), filmed with that title by Damiano Damiani in 1963 and released in the US as The Empty Canvas in 1964 and La ciociara, filmed by Vittorio De Sica as Two Women (1960). Cédric Kahn's L'Ennui (1998) is another version of La Noia.