Kaitlin Olson Quotes

One day, one of my dreams is to someday get to do Nemo in '20,000 Leagues Under the Sea.'

I remember when John Lasseter called me back in the late 1990s to personally invite me to come be the voice of Barbie in 'Toy Story 2.'

I think 'Paranorman' was a great adventure.

When Pixar calls and says, 'Hey, you wanna be in a Pixar movie?' you don't do a lot of contemplating!

'Finding Nemo' was originally shot in 3D.

I'm in 'Madagascar 2.' I'm Testy the Lion. The franchise moves to Africa, and Bernie Mac is also in the film. I loved working for Dreamworks on that film.

I'd love to have the opportunity to sing in a Disney movie.

I'd love to be a voice in 'Toy Story 4.'

The crystal-clear water in Thailand offers the best swimming and snorkelling experience.

There was no way I could not do 'Finding Dory.'

This movie [Moana] has a very small cast, and this was the role [Heihei] that they offered me. I loved voicing him.

I don't have a problem with big name actors coming into animation. It actually has been done for years and we are after all actors, it is just a different medium that requires a different technique.

I love doing voice-overs; I wish I could do more of them. It's a lot of fun to see how they take the voice and animate it and try to capture your own expressions and features. It's fascinating.

Aside from my love of animation, as an actor I like the total lack of vanity in terms of not having to worry at all about your appearance. You don't have to deal with hair or makeup or wardrobe.

You basically go in animation and it's all in the imagination. There aren't even pictures to look at. You usually go in there and work with whoever the director is to create this voice and this character.

When we recorded [Moana], I would do all of the stuff and then save all the big screaming for last so that you can really blow it out and ratchet it up every time, get that perfect panicked pitch.

I closed my eyes and curled my fists around the things I knew for sure: That a scallop has thirty-five eyes, all blue. That a tuna will suffocate if it ever stops swimming. That I was loved. That this time, it was not me who broke

With his back to us, Sean tugs the halter from the mare's head. She kicks out, but he steps out of the way as if it were nothing at all. With a shake of her mane, she leaps mightily into the water. For a moment she struggles over the waves, and then she is swimming. Just a wild black horse in a deep blue sea full of the ashes of other dead boys.

I'm really comfortable doing voice-overs, but it's really fun to do animation.

That's part of the comedy, too, is we do have jokes throughout of hanging a lantern on the absurdity of the world. Like, when BoJack's flying over the neighborhood, you see some houses have swimming pools in the backyard, and what does that mean? Why would there be a swimming pool underwater? But we thought it was funny.

A radio play actually ended up being the first acting job I ever had. A lot of times when I'm on camera, I'm playing characters that are more like myself, and I don't get to do a lot of real character work. But when you're doing animation, you are the very epitome of colorful characters. I think I'm just really into make believe.

I love doing animation - mainly because you get to over-act. They're always saying "more," "louder," "bigger," "huger" and you just turn it lose. Plus, doing animation voiceovers, I have learned so much, and it's always good in your career to discover something you didn't know, and to learn to do things differently. So it's a fascinating experience.

You and I have been physically given two hands and two legs and half-decent brains. Some people have not been born like that for a reason. The karma is working from another lifetime. I have nothing to hide about that. It is not only people with disabilities. What you sow, you have to reap.

I am voice actor Roger Craig Smith. You may know me as Batman, Captain America, Sonic the Hedgehog, Ezio from Assassin's Creed, Transformers: RID, or narrator of “Say Yes To the Dress” (among many other things). AMA!

The thing with animation is that you record the actors like a radio show and then the animators become actors in their own way because it's their job to take this puppets and make them seem alive. They bring their own personalities to the way they move these puppets.