James Toback Quotes

I think commercial success is really important. It means there are more people listening, and you're affecting the zeitgeist more. If only a hundred people know you exist, it's harder to get your message across.

My books have done extremely well, I know. But I don't honestly feel much different from when I began to write. I still think we have a long way to go. I suppose my name means more in Nigeria today than it did five years ago. But I feel the job that literature should do in our community has not even started. It's not yet part of the life of the nation. We are still at the beginning. It's a big beginning, because now we are catching the next generation in the schools. When I was their age, I had nothing to read that had any relevance to my own environment.

Culturally, I think 'All in the Family' was universal enough to have good timing at any time.

You have to be at the forefront of culture to create art, which they call "product," and Hollywood is not. It's this very old business model, which I think is dying in a lot of ways.

Chess is similar to boxing. You need to develop a strategy, and you need to think two or three steps ahead about what your opponent is doing. You have to be smart. But what’s the difference between chess and boxing? In chess, nobody is an expert, but everybody plays. In boxing everybody is an expert, but nobody fights.

He [Wladimir Klitschko] likes silence when he fights because it gives him time and room to think. He doesn't like things to get chaotic or crazy.

I don't think my generation carries the weight of World War II anymore. But I've got to tell you, even if we don't really talk about it, we get reminded constantly by other people or other countries. I get offered a World War II movie at least once a week just because I speak German and was born there. I have always stayed away from it because I didn't want to be put into that box.

Mike Tyson does a lot of things that shows he wants to win. He might hit you after the bell, he might hit you a little low, but he wants to win the fight. I think if he controls himself, he's okay.

I didn't grow up with indie rock - I mean, I listened to bands that are considered indie rock, but I think that term is dead and uninteresting.

I won't say I won't fight again but I don't think anyone wants to fight me so I am finished and I will just continue with boxing exhibitions.

Maccarinelli thinks he can use me to make a name for himself, but that is not going to happen. He has made his fame by fighting nobodies. I've fought all the way to the top against top contenders.

I think “The Book of Mormon” has made that difference in its field. It changed the game. It’s something that 20 years from now people will still be talking about, hopefully. That’s my goal as an artist, as a creator, as a work for hire, is to choose projects that make people think, make people talk, and make people interested in having a dialogue.

That people equate being girlie with being nonthreatening … I mean, I can't think of a more blatant example of playing into exactly the thing that we're trying to fight against. I can't be girlie? I think the fact that people are associating being girlie with weakness, that needs to be examined. I don't think that it undermines my power at all.

Everyone still wants to see [Floyd] Mayweather and [Manny] Pacquaio fight. When the talks start though, it always seem like it is all about Mayweather, and I think the people hate that.

I don't see a lot of studio executives caring at all about what the culture is telling us. They think they make the culture. They're not out taking the temperature of things and using the results of whatever sort of cultural surveying they're doing to make movies. They're interested in doing things that people are already comfortable with, and taking those properties and filling them.

I like the idea that [Mahatma] Gandhi is appearing now in an opera hall in all these different places, and people kind of think about it again.

Good books leave an impression. Great books forever alter the way you think about what it means to be alive. You Disappear is not just a well-told story, but a dramatic recalibrating of what it means to have a mind-and a soul.

Do I think that people should in the best of all possible worlds have to go to jail for wanting the US government to pay attention to the warnings of scientists about climate change? Not really. I mean, in a rational world, if all the scientists said, "The worst thing that ever happened is about to happen and here's what you should do to stop it," you would expect any rational system to say, "Oh, sure, OK, let's do something about it." But that's not the world we live in. In the world we live in, you do need people willing to stand up, fight, march and sometimes go to jail.

I think that he [Michael Jackson] did derive an ultimate sense of joy and satisfaction in what others enjoyed from him that was denied to himself. There's no question that the transcendent art that he created was a means, an instrument, a vehicle for others to experience what he didn't.

I would never go back to doing the show again. I mean, every day I think about Lifestyles because somebody comes up to me and tells me how much they love the show and I should bring it back, but this is not the time to bring it back. I don't think it would be as successful today as it once was.

If I was fighting myself, I always say that I would kill Mike Tyson but then again I don't know how hard a punch Mike Tyson can take and I don't know how hard Mike Tyson's punch is. I don't know. For me looking at me, I think I can beat me.

Capoeira was designed to look like a dance, and it's actually an incredibly effective means of fighting. Fighting is dancing. Look at a great boxing match, and it's a dancing. That's what's great about the choreography that goes on here. It's a delicate ballet with a fist in the face.

You asked if I thought my fiction had changed anything in the culture and the answer is no. Sure, there's been some scandal, but people are scandalized all the time; it's a way of life for them. It doesn't mean a thing. If you ask if I want my fiction to change anything in the culture, the answer is still no. What I want is to possess my readers while they are reading my book — if I can, to possess them in ways that other writers don't. Then let them return, just as they were, to a world where everybody else is working to change, persuade, tempt, and control them.

Ours is certainly not an old culture. Yet in recent decades we've used more energy, destroyed more soil, created more pathogenicity (temporarily stopped some too, for sure), mutated more bacteria, and dumped more toxicity on the planet than all the cultures before us-combined. I love the United States, but I am not blind to the wrongs. I have no desire to live anywhere else, but that doesn't mean I think everything we're doing should be done or can be maintained.

I don't know about timeless. I actually think most of what I do is completely modern, but universally modern. Who decides what timeless even means? Are the things that we consider timeless now going to, in fact, be considered timeless in 300 years? Probably not.