DAVID LYONS

The measure of a superhero is always his nemesis.

Listening is the essence of anything.

Fighting is dancing. Look at a great boxing match, and it's a dancing.

The thing about romance and romantic movies is that they can be somewhat melodramatic. For a lot of actors, there's a certain cringe factor that's involved with that.

Lasse [Hallström] is really good at emotionally engaging an audience without hitting them over the face with it.

For a foreigner, L.A. is such a big, wonderful and weird place that, until you find your niche, you feel a little bit discombobulated.

It's good to play something that's black and white, and a guy that sees right and wrong. I've never played a character like that.

Capoeira was designed to look like a dance, and it's actually an incredibly effective means of fighting. Fighting is dancing. Look at a great boxing match, and it's a dancing. That's what's great about the choreography that goes on here. It's a delicate ballet with a fist in the face.

For a foreigner, L.A. is such a big, wonderful and weird place that, until you find your niche, you feel a little bit discombobulated.

It's good to play something that's black and white, and a guy that sees right and wrong. I've never played a character like that.

Listening is the essence of anything.

Fighting is dancing. Look at a great boxing match, and it's a dancing.

The measure of a superhero is always his nemesis.

The thing about romance and romantic movies is that they can be somewhat melodramatic. For a lot of actors, there's a certain cringe factor that's involved with that.

Capoeira was designed to look like a dance, and it's actually an incredibly effective means of fighting. Fighting is dancing. Look at a great boxing match, and it's a dancing. That's what's great about the choreography that goes on here. It's a delicate ballet with a fist in the face.

Lasse [Hallström] is really good at emotionally engaging an audience without hitting them over the face with it.