Simon Sinek Quotes

I seek speed, clarity, and a practical approach in people I mingle and work with. I can't see myself working in films that stretch beyond maximum four months.

I'm pretty picky about what I do and who I work with, for better or for worse.

Even though I have been receiving offers left, right and centre, I have been a little choosy about my projects.

I'm very prescriptive about who I work with. I'm very clear about what I believe. If they believe what I believe I will work with them. If they say things like, "Convince me we should do this." I walk away.

I don't do album covers or CD covers for groups or musicians I don't like or have no interest in.

It was a pleasure to have somebody else be the boss. It wouldn't have been nearly as much fun any other way. He's been around and made a lot of movies and he's a great straightforward person to work for. And it was a pleasure to see other people to pick up characters that you've sketched out loosely on paper and make them into something fascinating.

It's seldom that you get to work with one director more than once. I've worked with Clint Eastwood three times, but that's the only one that's happened with, simply because I adore his work.

You just have to go with a good story and a script that you like and people that you like to work with.

Rob [Reiner] is a teddy bear. He's hell delicious. He's a really good director. He's a great soul. In the movie business, I would call him a movie mom. The only person I hold in equal esteem is Clint Eastwood. Now I have worked with a lot of terrific directors, and I don't mean to be putting any of them below their own station, but these two, I relish working with them.

I have worked with a lot of great directors but my favorites are all entirely different from one another. They don't go about it the same way.

When you have great working relationships with people, both collaborative and creatively, everybody will always want to work together.

I've had friends who have come away who've said, "I shouldn't have become such close friends with the director." You always want to get on with the director, but I personally prefer a relationship where you respect them - you get on really well with them, but they're boss, as it were. It's about trusting your director, for better or for worse. They're the one's seeing what's coming out on the monitors, so you have to try and trust what they say.

Very broadly speaking, you can put directors into two areas: One for whom you work, and the other with whom you work. And I prefer the latter, for obvious reasons.

I'm actually very snobbish about directors. I have to say no all the time. 'No' is the most powerful word in our business. You've got to protect yourself… To leave home, it's got to be worth leaving. It's got to be worth it.

I've turned down a lot of stuff. I've read several scripts and said "That's not me, I'm not interested in doing that." It's got to be something that inspires me and captures my imagination. I want to be able to say "There's a challenge.".

I chose the actors that I was in love with. I cannot work with people that I don't personally like a lot. They can be the best actor in the world, but if the first contact is not good, if I don't fall in love with them, then I don't want to work with them. It's impossible.

I'd known plenty of people who'd worked with Cillian [Murphy], and he was one of those people I'd only heard good things about. It's pleasing when it works like this. As Cillian said, it's not always like that.

People sometimes talk about me as being a brand, having a strategy and whatever else. I wish. Seriously. I wish I had it together enough to have a strategy. But it's so instinctual. It usually comes down to two things: the person I'm working with - the director is really important to me - and a line in a script.

I believe less in my ability & more in the ability of the one who comes to meet me. That's the speciality of my work style.

I think around that time I met David [Gordon Green] or, well, we all met at Superbad and Judd [Apatow] said, 'I'm thinking about having him direct [ Knocked Up].' Sounded like a good idea.

It's nice to be in a place where I can be a little more selective, and to be sought out for ideas that I have.

It's very important to me, who I play with and the same about picking a crew of people.

I'm very closed off when it comes to working with people, I'm very selective.

When I do have choice I try to be very picky about... or shall I say choosey about when I choose. I don't automatically decide that I must be the one to choose or that it's important for me to make every choice in my life.

[Filming Payne] that was also the first time I worked with JoBeth Williams, which was also a case of not being the last time!