Post Malone Quotes

My killer crossover project would be to combine Bjork and Grace Jones with the West Coast rappers and create this massive music. That's, like, one of my dreams.

It's perhaps easier to say what prog rock isn't than what it is: it's not three-minute pop songs, it's not straightforward rock, metal, blues or jazz, but can have elements of all them and more. It's a form that is on the boundaries of many different forms, that is open to all sorts of influences.

The tapes we were making would jump around with different styles, just quick parts of different songs. Hip-hop to jazz to funk to whatever else. And in a way, 'Check Your Head' ended up being like one of those pause-tapes.

I think New Order have got their own sound. But what we like to do is experiment, using dance music and other things.

Every record that you do man, is sooo different in every way.

My last two records that I made were both quite pointed in one direction and I think I do my best stuff when it's all over the map, when there's a couple traditional things, a couple pretty rocking things.

I'm just trying to avoid any sort of generic kind of music - I don't want to do generic jazz or fusion.

I'd call what I do pop music, but it's folky and electronic and it doesn't really sound like much else.

When I got out of the Nazz, I had it in my mind that simply to be eclectic was an important aspect of making music. It was something that I derived from The Beatles.

And I'm always interested when other musicians are trying to discover new worlds of sound.

I can make any type of music, so I wouldn't want to describe myself as having one type of sound. I think music is about keeping it diverse.

What I love about Beyonce is she's not a slave to a genre of music.

I love mixing up my genres.

I mean, Tool has a style, but we try to make all our songs sound different from each other.

I never thought that I would be creating my own 'cross-over' genre. What I did was very real and organic. I have worked in so many different styles so it all just came together.

I try and make all my songs sound different from each other while doing it in a way that's still me. It's a tricky thing to do.

With the R&B, gospel feel that 'Sparkle' has, that opens the door for my fans to be more accepting of that sound and also for me to try it.

My favorite band of all time is The Clash. The thing I love about The Clash is they started out as guys who could barely play three chords. They dabbled in reggae, punk, rap, jazz. They came to a sound that could only be defined as The Clash. It was impossible to say what it was. I admire them for that.

I'm sure I could start a band tomorrow that would have different influences and would want to do something completely different than anything I've done.

When we started, a lot of bands sounded really different from one another.

It's sort of what jazz would be if it stopped being snobby and what rock would be if it stopped being stupid.

I think my music has always been a mixture, depending on whom I'm working with - what band, what musicians, what producer.

The Zombies were really unique - they had elements of jazz and classical music in their songs and songwriting. They had a very, very different sound compared to a lot of their contemporaries at the time.

If you think of any strange fusion with bachata, most likely, we've done it. It's bachata mixed with different elements. We don't follow any style.

When we think about big records, a lot of producers are thinking of how to make it as standard as possible. I think those days are gone. I think you have to surprise the audience in 2015.