Emma Stone Quotes

Maybe people don't see me as believable playing a person of today. I guess I'm just more realistic in a corset and funny hairstyles.

What I'm mainly interested in is not having women characters that have to be perfect, obviously. That's something I feel strongly about and have that in every single thing I've ever done.

Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.

Playing someone supernatural is more realistic than I thought it would be.

I play so many weirdos in movies that it's nice to play an attractive woman.

I think what I find challenging is just trying to bring a truthfulness and a realism to a character.

It was hard to be taken seriously being model-turned-actress. I needed to work on my acting chops. There are so few parts available that are good for women.

I wanted to be an actor to act, and now, being an actor, you have to dress up, you have to be nice, you have to be smart, you have to be sexy, you have to be ready.

I never ever played the lead role in a play, except at school. I guess the industry that we're in, boys that look like me don't get the lead role.

With The Help, I knew folks involved in the project peripherally. I wanted to audition for Hilly Holbrook and part of the initial feedback was: "No, Bryce is too nice." That's part of the reason why I really love auditions as well - you get to try out a character and try out different versions of a character.

If you're going to play a woman, you might as well play a woman that you liked, and someone sexy.

It's nice to finally be thought of as sexy. I'm very disconnected from the sensual side of me, I know it's in me, but it doesn't really reveal itself very often in my personal life, which I do find problematic.

Historically, actors have been made very famous for roles that were something that was far - - Richard Widmark comes to mind (playing Tommy Udo in "Kiss of Death") or something like that, where you do some famous role and everybody imitates you for the rest of your life. But obviously it's much more fun to play something you're not than it is to play something you are.

I've had pretty much the same crew for all the films that I've made, and I've managed to have really nice, calm, funny people. That is a big part of it, a family feeling of warmth and finding something interesting and making a platform for them to perform. It's a very difficult job, acting, in that it's totally counterintuitive to how we are brought up.

Most people can be made to look beautiful - someone can do your hair nice and put some make-up on - but being sexy is something inside and not everybody has it. I don't think I ever really had it, a lot of it is to do with confidence.

I'm aware of the power of looks. I've wanted to play roles that have gone to much better-looking people and you just think 'Oh well, that's the pin up guy's an actor like my friend James Mcavoy, who's gorgeous on screen. I'm not that. But at least I don't have to worry about taking precious care of my face because it's my commodity. That's a great freedom. I'm not afraid of being heinous for the sake of a part

I'm thrilled beyond belief to be different in this business. I pray that there will be more roles for bigger girls. I pray that the role of the love interest, the beautiful, sexy girl, will be played by a plus-size woman.

I auditioned for so many things - cops, lawyers, doctors and things but they were like, "She just seems too sweet. I don't see that hard side of her."

I actually kind of like Janet Reno. She seems like a nice enough lady. But when you're basically going through the entire phone book trying to find women lawyers who don't have maids to pick the attorney general of the United States, how well can you do?

I love comedy. David's Lynch the only person I've worked with more than once who sees me as a specific thing - he sees me as the sexy bimbo, in ways, and he also sees me as Lucille Ball. Actually, Nick Cage and I did Lucy and Ricky in two scenes in Wild at heart that were cut because the movie was four hours long.

What's the trick to writing a great female character? Make her human.

Sometimes with a comedy it's just having the instinct of how real you play it and what level you want it.

Somebody's real voice is probably the hardest one that somebody could attempt. The characters are all, believe it or not, rooted in a reality of some sort. I've met and talked to people, and they're also fusions of showbiz periphery. But the best thing was, if you did your own voice and you were the star of the show - if it came to blows and they had you on the ropes and you had to leave, then they could just get someone to sound exactly like you.

After Blood Simple, everybody thought I was from Texas. After Mississippi Burning, everybody thought I was from Mississippi and uneducated. After Fargo, everybody's going to think I'm from Minnesota, pregnant, and have blonde hair. I don't think you can ever completely transform yourself on film, but if you do your job well, you can make people believe that you're the character you're trying to be.

There's a little bit of me in all of the characters I've played. I've never really had the opportunity to play something that's a complete departure from me.