Juicy J Quotes

I never make films thinking 'This is my film. This right here is undoubtedly Kim Jee-Woon style.' I am not even sure what 'Kim Jee-Woon style' is. When I make films, I never allow myself to make hard-set decisions ahead of time.

You have to be very flexible and understand as a director, especially as a writer/director, that you cannot hang onto stuff really hard. You have to be ready to accept those happy accidents and to anticipate that they are going to happen and capitalize on them.

I would never pigeon hole myself stylistically because I just don't know what I am going to want to do next.

I love having the impulsivity to change course. I think it's key to keeping things fresh.

I like to leave a little room to innovate and change things around while I'm working.

Don't get stubborn, flow with the go. The key is to be open to unintended success. Some companies just can't take yes for an answer.

I never want to feel like the way that I see it isthe only way. Sometimes mistakes happen and that's better than whatyou thought the scene could be. You allow room for the possibilities.

There ain't no rules here, we're trying to accomplish something...All this talk about rules...When the deal goes down...we make 'em up as we go along.

A good traveler has no fixed plans and is not intent upon arriving. A good artist lets his intuition lead him wherever it wants. A good scientist has freed himself of concepts and keeps his mind open to what is.

An actor who's a control freak, that doesn't work. We have to be malleable. We cannot come in and try to control or dominate.

I'm always open to new stuff. I don't sit and try to figure out what to do, I just wait for an idea to come.

I like to keep my options very open and try not to focus on trying to get something. That's just how I'm playing it and it's worked so far.

When you work with an actor and then you discover new things that are better, I think you gotta be free to be able to go with the new things that you're finding. I think that's very important. I have a strong idea when I go to shoot a movie but I also love to discover things when I'm on set as well.

Don't play the way it goes. Play the way it is. And the way it is every time you play it, it's slightly different. Look for something. So that's the challenge not to be bored.

I have to be more universal than my projects, but no less innovative.

I just go with the flow, so any style can be in my music - that makes it exciting.

I couldn't say I ever dreamt of becoming a composer, a pianist, or anything else for that matter. I have the kind of brain where nothing is set in stone.

Any decision that's made about my career is ultimately my decision, and it's helped me not to plan too much. I've never been the guy thinking, 'I want to do a play this year, I want to do this kind of movie or this kind of character.' I don't have that sort of control.

There are always things to examine. What's great is not feeling that I have to refuse any of them. Maybe no good from a PR perspective, but from the point of view of everyday life, it keeps things interesting.

I would never say I will stay in electronic music for the rest of my life. I will always do whatever I feel like at that moment.

One of the challenges of innovation is figuring out how to wipe your mind clean about what you should be doing at any given moment, and not having a religious attachment to what's gotten you there thus far.

I have always emphasized the willingness to discard.

I come from a background where I like collaboration and improv. I think that it is important.

I say yes to almost anything that comes my way.

My company survives because I've learned to respect the ideas of people younger than me and recognize when my wisdom is obsolete.